Now Available: July 3, 2018

Welcome to Now Available, where we’ll give you a quick review of a film we didn’t cover when it was released in theaters that’s releasing for home viewing this week, along with a list of everything else and where you can see our coverage on it. 

It’s 1982 and Lebanon is embroiled in civil war. Former US Diplomat Mason Skiles (Jon Hamm) is compelled to return to the city where his wife was murdered ten years earlier to negotiate the return of a kidnapped former colleague. Racing against the timeline of the abductors, Skiles must attempt to meet their demands while navigating around multiple obstacles in the form of the State Department and the CIA.

Brad Anderson’s Beirut is a tense thriller that’s elevated by what may be my favorite film role in Jon Hamm’s career. For the most part, I’ve found Hamm’s dramatic film roles to be pretty bland, but as any Mad Men fan could tell you, playing a highly functional alcoholic with the keen ability to tell people what it is they want to hear is right in his wheelhouse, in fact it might be his wheelhouse. Rosamund Pike is, of course, great, and a little under utilized, as CIA officer and Skiles’ handler Sandy Crowder. When the story threatens to get bogged down with one too many complications, Hamm and Pike never let it become anything less than interesting. The cinematography is occasionally too dark, but for the most part it’s perfect in its dirty, gritty aesthetic. The story is intriguing, although occasionally it threatens to spin too tangled a web. Setting the story against the backdrop of an actual historical war is a nice touch that gives even the calmer moments a sense of urgency. 

Overall, while it doesn’t do anything to really separate itself in the genre, strong performances make the film worth checking out. Beirut is a pretty solid choice for a quiet Sunday night on the sofa.

Also available this week:

Blockers: You can read my review of this fun twist on the teen sex comedy here.

7 Days in Entebbe

Borg vs. McEnroe

Finding Your Feet

Journey’s End

Ismael’s Ghosts

Another Wolf Cop

The Female Mind

The Cured

Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.



Teen sex-comedies used to totally be my jam. When I first saw American Pie, I was brought to tears with laughter. But as I’ve gotten older and become a parent, I can’t help but spend most of my time irrationally concerned with the consequences that these teens will experience the morning after their “best night ever.” Apparently, I’m not alone as this feeling drives the plot of Kay Cannon’s Blockers.

Blockers follows Leslie Mann, John Cena and Ike Barinholtz as three estranged old friends who stumble onto their soon-to-graduate daughters’ pact to lose their virginity on prom night. It’s a fun twist on the genre that takes the focus off of the perspective of the teenagers and points it towards their parents and their mission to stop the girls before it’s too late. As you might expect, hijinks ensue.

The film is at its best when it’s following the parents. Leslie Mann is one of the most underappreciated comedic actors of her generation. She makes every movie she’s in better, and Blockers is absolutely improved by her performance and comedic timing as Lisa, a single mom worried about what her life is going to look like when her little girl leaves for college. Cena is someone I look forward to seeing in films like this. While his acting ability is limited and usually restricted to one note, I appreciate how he’s always game to play against type if the role calls for it. He plays Mitchell, a dorky dad who would be intimidating if it wasn’t for his inability to keep from crying. In my opinion, Ike Barinholtz steals almost every scene he’s in as the screw-up Hunter, who ruined his family and his relationship with his daughter several years earlier when he had an affair with the babysitter. He’s very funny and his storyline with his daughter provided the most emotional depth in the film. With the three of them together, the movie really sings. When the focus shifts to their daughters and their prom dates, it’s just mediocre to poor teen-comedy fare that bogs down the story.

It’s a pretty funny concept that’s pulled off pretty well, but like a lot of films in this vein, it runs to the well of gross-out humor a bit too often to really stand-out. It’s a shame too, because when the actors are allowed to play off of one another in their race against time, it’s quite funny. I’m not opposed to that type of humor if it’s serving the story, but that’s not what is happening here.

Despite its faults, Blockers is worth seeing simply because it’s a fun new take on a pretty tired old genre with good performances and a surprising amount of heart. But there’s no need to get out to the theater for this one, wait until you can watch it at home where the popcorn is a lot cheaper.


Jeremy Calcara is a contributing member of the Feelin’ Film team. Follow him on Facebook and Twitter to be notified when new content is posted.