FF Black Label – “It’s Because of Slavery”

“Black Label” is a special series that began during Black History Month 2020 where four Critics of Color sit down to discuss their love for movies. This special series highlights perspectives in film criticism that are vital to the culture because they are for the culture. In this episode, our round-table pushes through the “Rona” as they try and reconcile the Systemic Oppression and the “Nature vs Nurture” thematic elements in the new Netflix drama, “All Day and a Night”. They also tackle the new Netflix series “BlackAF” from Kenya Barris, creator of ABC’s Blackish, and discuss how the show navigates the notions of being “Black Enough,” “Black on Black Criticism,” and “White Criticism on Black Content”.

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FF Black Label – Catching Up With the Black Label

“Black Label” is a special series that began during Black History Month 2020 where four Critics of Color sit down to discuss their love for movies. This special series highlights perspectives in film criticism that are vital to the culture because they are for the culture. In this episode, our round-table catches up with one another amidst a challenging, changing landscape across the country.

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FF Black Label – Representation/Intersectionality

“Black Label” is a special series that began during Black History Month 2020 where four Critics of Color sit down to discuss their love for movies. This special series highlights perspectives in film criticism that are vital to the culture because they are for the culture. In this final episode of the series, the crew closes out by discussing the best examples of representation on the big and small screen, micro-aggressions, colorism in cinema, and then answers listener questions like “What are our thoughts on curmudgeonly old racist characters with a heart of gold?” Oh, they have thoughts!

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FF Black Label – Black Cinema: The Good, the Bad, and the Ugly

“Black Label” is a special series that began during Black History Month 2020 where four Critics of Color sit down to discuss their love for movies. This special series highlights perspectives in film criticism that are vital to the culture because they are for the culture. In this episode, our round-table tries to define what black cinema is and the good, the bad, and the ugly within it.

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FF Black Label – Ask the Black Label

“Black Label” is a special series that will run throughout Black History Month 2020 where four Critics of Color sit down to discuss their love for movies. This special series highlights perspectives in film criticism that are vital to the culture because they are for the culture. In this episode, our round-table answers questions from the listeners that include everything from their opinion on Tyler Perry to how it makes them feel when they hear the term “not black enough”.

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What We Learned This Week: January 20-February 16

LESSON #1: IF YOU WANT TO LAUGH AT A FILM SNOB HISSY FIT, COME SEE THIS— If you think a few of my Feelin’ Film group social media posts about the work myself and others do is a big heap of #firstworldproblems and #whitepeopleproblems, groovy and uptight Californians have me beat. You have to see this and laugh. The Hollywood Reporter headline reads Hollywood Critics’ Groups Squabble Over Who Is a Hollywood Critic.” The story here is the former Los Angeles Online Film Critics Society has recently re-branded into the less-of-a-mouthful Hollywood Critics Association and the Critic’s Choice Association, who run the popular awards show of the same name are upset about confusing or inaccurate representation and potential dual membership. Lawyers are involved and everything. Face, meet palm. Inclusion should be the winner here, not selfishness. This is the kind of tiff and behavior that gives the rest of us critics a bad name. Let this Chicago Indie Critics founder and director guy over here tell you. There is room for two groups. There is room for a dozen groups. This should be “the more the merrier” for access, audience, and enjoyment and not a playground finger-pointing throwdown. Clean it up, Los Angeles, and unbunch your drawers.

LESSON #2: WE NEED MORE GENUINE BLACK STORIES— Folks, I have to open with a huge shout-out to the work of Feelin’ Film’s new “Black Label” podcast to bolster this lesson. The roundtable of Kolby Mac, Erynne Hundley, Caless Davis, and Emmanuel Noisette are two episodes into their presentation run and their conversations about representation, black voices, and overcoming tropes is essential listening. A victory of what they clamor for arrives in theaters this Valentine’s Day weekend in the form of The Photograph.  Starring Issa Rae and Lakeith Stanfield, we have a mature and honest ethnic romance free of the forced flaws of baited debates and hammy theatrics too often saddled on this demographic by mismatched voices.  See this movie immediately and give the new podcast a hearty listen. Demand more and we might just get more. We’ve got four vivacious critics doing that here. Join them!

LESSON #3: SAVE A LITTLE SOMETHING FOR THE MOVIE— For the last two years after the Super Bowl, I’ve used this “What We Learned This Week” space for a “No More Trailers” challenge and soapbox.  I’ll link those previous rants and shorten the sermon this year to this lesson.  Less is always more. When I watch the trailer for F9, I feel like I’ve already seen too much of the movie, surprises and all.  It’s the exact example why I advocate not watching trailers to things you know you’re already sold to see.  Save something for the movie. Likewise, Sony has already released Billie Eilish’s James Bond theme song “No Time to Die” nearly two months in advance of the film’s premiere. I understand the promotional aims and needs, but, sheesh, do that two weeks before the movie, not two months.  You’re going to overplay this song before it even gets its proper placement. Save something for the movie. The best tease of the week on the positive end was Matt Reeves’ “camera test” peek of Robert Pattinson in costume for The Batman. Imagine if that Michael Giacchino noir music taste and its scarlet-glow reveal comprised the ONLY teaser/trailer we would ever get for the future blockbuster. Mission f’n accomplished for tone setting and frenzied anticipation.  Your triggered curiosity alone destroys your wallet for the future $9. That would be amazing, but, sadly, we know more and likely too much is coming.

LESSON #4: LET’S SEE HISTORY MAKE A NEW FUTURE— It’s not too late to react to Parasite’s historic Oscar night victories. As the first foreign language film to win Best Picture, it’s name is now forever etched in movie history and trivia game cards.  The challenge to have this historic success actually forge a new direction going forward in the industry. If Parasite becomes a one-year wonder and a thrown bouquet outlier for the rest of the decade, the excitement, good will, and growth possible all fade. Let Parasite be your gateway to more independent and foreign cinema. Don’t be scared of subtitles whatsoever when there is a cognitive benefit to be had. There is a wealth to discover and love. Find it. Celebrate it. Let it make you a better lover of movies. If you need help with that, we’ve got friendly aficionados all over the Feelin’ Film Facebook group.

LESSON #5: THERE IS MORE BEYOND THE OSCARS— For true fans of movies, this was a very good year at the Oscars led by Parasite. Good films, wonderful performances, and eclectic talents were given their due by the Academy and our own Feeler’s Choice Awards that matched the Oscars frequently (Excellent recap show, Aaron and Patch!). But, there’s even more. Before 2019 fades more with the advancing calendar, look back to the Independent Spirit Award winners given the night before the Oscars. In many ways, the likes of The Farewell and Uncut Gems are honored films equal or better than the Oscar winners. Fill your watch list and future queue from the Spirit Award winners before the Academy’s and you’ll get some really good stuff. 

LESSON #6: THERE IS NO SHAME IN SOLITUDE— Lastly, this is Valentine’s Day weekend where it’s also “Singles Awareness Day” because you’re never more aware that you are single than on a cheesy holiday like this one alone. There’s no shame in that. In fact, there’s comfort to be found. Last year, I really enjoyed this piece by the blog Lucy Goes to Hollywood addressing the stigma of going to movies alone. No one who does that is a loser and the experience actually has its own strength and catharsis. I call it an occupational hazard, but it also counts a “me time.” An excellent article on The Stylist by Kayleigh Dray continues the idea of self-care that comes from going solo. Keep that in mind while chasing your couple-dom. You’re doing fine without that extra significant other.


DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#122)

FF Black Label – Combatting Tropes in the Movies

“Black Label” is a special series that will run throughout Black History Month 2020 where four Critics of Color sit down to discuss their love for movies. This special series highlights perspectives in film criticism that are vital to the culture because they are for the culture. In this episode, our round-table ponders how best to combat tropes in the movies, including white savior narratives and the idea of a magical negro.

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FF Black Label – Introduction

Kicking off a new special series that will run throughout Black History Month 2020, four Critics of Color sit down to discuss their love for movies, how they got into film criticism, and what to expect in future episodes, in addition to sharing some thoughts on the upcoming 2020 Academy Awards. This special series highlights perspectives in film criticism that are vital to the culture because they are for the culture.

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Black Label

Aaron

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Feelin’ Film

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