Episode 198: Ford v Ferrari

We love biopics, and this week we’re excited to chat about director James Mangold’s newest that tells the story of the events leading up to and including the 1966 LeMans 24-hour race. With strong relationships throughout, the film gives us plenty to connect with and talk about in addition to just geeking out over the exhilarating racing sequences. 

Ford v Ferrari Review – 0:01:56

The Connecting Point – 1:02:20

 

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MOVIE REVIEW: Ford v Ferrari

The 24 Hours of Le Mans is one of the world’s oldest and most prestigious endurance races in autosports. Conducted on an 8.5-mile circuit in the sleepy French town of Le Mans, the race travels over countryside roads throughout the course of an entire day, requiring teams to swap between three drivers regularly, relay-runner style. Drivers and cars must be prepared for the elements as it rains frequently, and within each lap lie both a challenging 90-degree turn and 200+ mph straightaways. Even beginning the race is dangerous, as drivers uniquely line up on the track opposite their cars and at the drop of the starting flag sprint to their vehicles, rushing to take off in a flurry of chaotic action that is as exciting as it is insane. Winning the race isn’t easy, but accomplishing the feat against fellow manufacturing giants of the industry brings the victorious automotive team great glory and often heavy sales. In 1963, Henry Ford II decided that he wanted a piece of this action, and after a failed bid to purchase Ferrari (including its racing team that won the Le Mans in 1958 and every year from 1960-1965), he decided that if he couldn’t own the Italian sports car manufacturer, he would do everything in his power to beat them where it would hurt most – on the track at Le Mans. And in doing so, a rivalry was born.

“Ford v Ferrari” is a biographical action-packed drama from Director James Mangold (“Logan”, “3:10 to Yuma”, “Walk the Line”)  that tells the story of Ford Motor Company’s journey to beat its Italian rivals. The key to this project was automotive designer and former Le Mans driving champion Carroll Shelby (Matt Damon), who is brought on by Henry Ford II (Tracy Letts) to build a car that could compete with the racing titans of the world. Shelby knows that a car is only as good as the man steering its wheel, though, and despite consistent pushback from Ford marketing man Leo Beebe (Josh Lucas), he eventually brings on his close friend, the sometimes difficult but brilliant English engineer and driver Ken Miles (Christian Bale), to hopefully pilot this new machine to victory lane.

Surprisingly, “Ford v Ferrari” has less racing action than you might expect in its 2.5-hour runtime. Mangold really leans into the drama of Ford’s capitalistic motivations and how it complicated the achievement of its own goals due to control issues and typical business-driven decision-making. There are two standout racing sequences, however, that are exactly the edge-of-your-seat, heart-pumping, adrenaline-boosting, high-speed affairs that audiences desire. Expertly crafted and shot, then combined with the delightful roar of racecar sounds and backed with a propulsive score by Marco Beltrami and Buck Sanders, these scenes are intense as can be and evoke a rousing response. Character investment plays a big role in this, as audiences are easily drawn to rooting for the Shelby and Miles racing team due to their depiction as wholesome, driven men of integrity who are navigating a challenging business landscape to chase their dreams.

The cast is full of wonderful supporting performances, but lead actors Damon and Bale play brilliantly off of each other as both longtime friends and similarly-obsessed colleagues, with the latter being especially noteworthy for his portrayal of a devoted and loving family man who treads the line between egotistical and confident when it comes to his skill with a car. Both bring a great deal of humor to their roles, as well, and deliver a script full of wit and technical terminology with talent worthy of awards recognition. Letts is also a highlight as “Deuce”, the Ford Motor Company President determined to live up to his grandfather’s legacy and keep Ford at the top of the automotive world.

Mangold is in top-form, directing with a confidant, fine-tuned precision, and though long, “Ford v Ferrari” is so full of energy and so expertly edited that you never feel its length. Its legendary, wholesome central characters are full of charm and watching their journey is an exciting and joyful treat. “Ford v Ferrari” is undoubtedly one of the best films of 2019, a gripping biopic with thrilling action and smashing performances that is sure to satisfy both fans of human drama and autosports alike, and it will go down as one of the definitive race-car movies ever made.

Rating:


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

MOVIE REVIEW: Rocketman

 


Caless Davis is a Seattle-based film critic and contributor to the Feelin’ Film Podcast. He loves any discussion of film and meeting new people to engage in film discussions on any subject. You can follow him on Twitter and Instagram.

MOVIE REVIEW: Tolkien

To say that I was merely satisfied by TOLKIEN from director Dome Karukoski would be a gross understatement. Check out Tolkien when it releases next weekend or attend the special Fathom Events showing on May 7 that features a Q&A hosted by Stephen Colbert.

 

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Episode 138: Green Book

This week we chat about one of the most expertly acted films of the year, the moving story of an unlikely friendship between Dr. Don Shirley, an accomplished classical piano player, and Tony Lip, an Italian bouncer who is enlisted to drive Shirley on a concert tour through the racially divided deep south. Though it may be easy to predict, the film is based on real-life events and the relationship between Shirley and Lip. Green Book has seen rave critical and audience response, but is not without its critics. We try to navigate the complicated material it covers in this latest conversation about a film that definitely makes us feel.

 

Green Book Review – 0:04:06

The Connecting Point – 1:05:44

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Music: Going Higher – Bensound.com

Additional Music this episode: “Lord Knows / Fighting Stronger” (performed by Meek Mill, Jhené Aiko and Ludwig Göransson) and “Gonna Fly Now” (by  Ludwig Göransson)

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Green Book


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

Minisode 055: A Private War & Interview with Matthew Heineman

A Private War serves as an incredible testament to the legacy of celebrated war correspondent Marie Colvin, but also pays respect to her by re-telling the stories she so passionately dedicated her life to sharing with the world. It takes Colvin’s words off the page and lets us experience just why her work was so important, making this one of 2018’s most essential films. In this special minisode, Aaron interviews Oscar-nominated and Emmy Award winning director Matthew Heineman about his first narrative feature film, followed by a discussion with Feelin’ Film contributor Don Shanahan.

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Music: Going Higher – Bensound.com

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Episode 134: Bohemian Rhapsody

This week, Patrick is joined by M.J. Smith of the Reel Perspective Podcast to discuss the Freddie Mercury/Queen biopic starring Rami Malek. Did the film rock them and have them screaming “Mamma Mia”, or it just another one that bites the dust? The two have a wonderful conversation about this energetic, entertaining film.

 

Bohemian Rhapsody Review – 0:02:07

The Connecting Point – 1:19:57


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Music: Going Higher – Bensound.com

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

MOVIE REVIEW: Beautiful Boy


Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

You Should Be Watching: July 12-18

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week, I’m featuring a 90s Jim Carrey film that is as relevant as ever, classic Billy Wilder that blurs the lines between true Hollywood and fantasy, and a powerful New Zealand film about mental illness, gang life, and chess.

Be sure to see Bringing Up Baby, expiring from FilmStruck on July 27, and then listening to the associated Feelin’ Film Connecting With Classics podcast. Same goes for All the President’s Men. Also on FilmStruck, Rio Bravo has a short-term engagement and will be leaving July 26. Also, the Jaws franchise has arrived on Amazon Prime, and Blue Valentine and Gone Baby Gone on Netflix.

 


STREAMING PICKS OF THE WEEK


 

The Truman Show

Year: 1998

Director: Peter Weir

Genre: Comedy, Drama, Sci-Fi

Cast: Jim Carrey, Laura Linney, Noah Emmerich, Natascha McElhone, Holland Taylor, Ed Harris, Brian Delate, Paul Giamatti, Peter Krause, Blair Slater, Heidi Schanz, Ron Taylor, Don Taylor, Ted Raymond, O-Lan Jones, Krista Lynn Landolfi, Harry Shearer, Jeanette Miller, Philip Glass, Una Damon, Joe Minjares, Philip Baker Hall, John Pleshette, Terry Camilleri, Joel McKinnon Miller

 

Most of you have seen The Truman Show, but chances are, it’s been a while, so you might be surprised to hear how well it holds up. On its surface, this is a vehicle for Jim Carrey to show he’s much more than just a rubber-faced funnyman in a prescient surface-level commentary on the culture of reality TV and YouTube. For that alone, it’s a brilliant piece of work, but below the surface, director Peter Weir and writer Andrew Niccol have incorporated many other layers along with a lovely and complex score that is shamelessly self-aware in its manipulation of the viewer.

Weir isn’t just telling a story about a guy whose whole life is a reality TV program, he’s showing us how we’re all in a sort of reality TV program, and we all need our perspective challenged. If truth isn’t revealed to us, we’ll happily live in a lie. “We accept the reality of the world with which we’re presented,” says Christof (Ed Harris), who represents a God figure or rather a critique of belief in a certain type of God, which provides a lot of food for thought and discussion.


 

Sunset Boulevard

  

Year: 1950

Director: Billy Wilder

Genre: Drama, Film-noir

Cast: William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, Fred Clark, Lloyd Gough, Jack Webb, Buster Keaton, Cecil B. DeMille, Hedda Hopper, Anna Q. Nilsson, Ray Evans, Jay Livingston, H.B. Warner, Franklyn Farnum, Larry J. Blake, Charles Dayton, Fred Aldrich, Joel Allen, Gertrude Astor, Edward Biby, Danny Borzage, Ken Christy, Ruth Clifford, Archie R. Dalzell, Eddie Dew, Julia Faye, Al Ferguson, Gerry Ganzer

 

The quintessential movie to represent the realities, often painful, of classic Hollywood and the fleetingness of fame. Gloria Swanson’s performance as forgotten silent movie star Norma Desmond is one for the ages. You never quite know whether to be sorry for her, intimidated by her, or downright afraid of her. The tension is carefully built throughout such as the feeling of entrapment and loss of control every time another of Joe Gillis’ (William Holden) connections to his life apart from Norma is severed. While this is not a horror film, much about the basic plot and its themes is reminiscent of the writer’s plight in Stephen King’s Misery.

Seeing Hollywood behind the scenes is often fascinating for people who love the world of film, but Sunset Boulevard is truly exceptional. The lines between fantasy and reality are completely blurred due to the presence of real life players like the famous director Cecil B. DeMille and real world silent film stars such as Buster Keaton, playing themselves. I can only imagine the dramatic impact it would have had to sit in the theater in 1950 and see this Hollywood story unfold.


The Dark Horse

Year: 2014

Director: James Napier Robertson

Genre:  Biography, Drama

Cast: Cliff Curtis, James Rolleston, Kirk Torrance, Sia Trokenheim, Andrew Grainger, Xavier Horan, Roseanne Liang, Miriama McDowell, Rachel House, Wayne Hapi

 

From the burgeoning film world of New Zealand comes the best film you’ll see about high-functioning mental illness, gang life, and chess clubs for underprivileged kids. Now that may sound like damning with faint praise, but you don’t win a slew of international awards for nothing. Cliff Curtis phenomenally portrays Genesis, a man who has a brilliant mind for chess but who also takes prescription drugs to keep himself on the edge of semi-independence. Sometimes he slips off that edge ever so gradually. Other times it’s a sudden fall and he’s lost in his repetitions.

Thankfully, Genesis has an older brother Ariki (Wayne Hapi) who cares about his well-being and takes him into his home, providing him with a modicum of stability. This gives Genesis the opportunity to discover the local Eastern Knights Chess Club run by an old friend. The club is a group of ragtag, unmotivated kids, which inspires him to encourage and teach them so they can compete in the Junior National Championships. But things aren’t so great at home after all. Ariki’s son Mana (James Rolleston) has connected with chess, but Ariki is a gang member and intends to raise his son in the gang as well. The priorities of all three are challenged.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

July 15
Changeling (2008)
Opening Night (1977)

 

FILMSTRUCK

July 13
Losing Ground (1982)
Sweet Smell of Success (1957)

July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)

July 27
All the President’s Men (1976)
Ball of Fire (1941)
Bringing Up Baby (1938)
His Girl Friday (1940)
The Killing Fields (1984)
Rio Bravo (1959)

July 28
Night and the City (1950)

July 31
Taxi Driver (1976)


 

JUST ARRIVED

NETFLIX

Blue Valentine (2010)
Gone Baby Gone (2007)
Scream 4 (2011)

 

AMAZON PRIME

Jaws (1975)
Snowden (2016)

 

FILMSTRUCK

Auntie Mame (1958)
Beyond the Hills (2012)
Moi, Un Noir (1958)
The Right Stuff (1983)
Rio Bravo (1959)

 

HULU

An Inconvenient Sequel: Truth to Power (2017)
Along with the Gods: The Two Worlds (2017)
The Heart of Nuba (2016)


 

COMING THIS WEEK

NETFLIX

July 13
How It Ends—NETFLIX FILM (2018)

July 15
Going for Gold (2018)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.