Feelin’ TV: July 10-16

Parks and Recreation is the greatest sitcom of all time. That’s not scientifically provable or anything, but I believe it with all my heart. I spent the last month watching the series all the way through for the sixth time. Even if you disagree with me about it being the best ever, I doubt you’ll be able to point to a comedy that had as perfect of a two-season run as Parks and Rec did for seasons 3 and 4 of its run. Even when it wasn’t great, it was still really good. Because at Feelin’ Film, we really like making lists, I decided that I would submit my picks for the best five episodes of Parks and Recreation:

5. One Last Ride (S7E12) – The final couple of seasons might have relied a little too heavily on giving its characters everything they ever wanted, and that shortcoming is definitely on full display in the series finale. But, man, it’s so good that I just don’t even care. I get tears all around as we get to see what Leslie (Amy Poehler) and the gang are up to in the future, especially when it comes to the fate of my spirit animal, Ron Swanson (Nick Offerman).

4. Practice Date (S2E4) – This is the only episode on my list from before Ben Wyatt (Adam Scott) and Chris Traeger’s (Rob Lowe) arrival in Pawnee. The A story provides a lot of comedy as Ann (Rashida Jones) takes Leslie on a practice date to help calm the nerves she’s feeling about her first date with Dave (Louis CK). While hearing about all of Leslie’s nightmarish first dates is a lot of fun, what makes this episode so memorable for me is its B story, where all of the other members of the parks department are having a contest to see how much dirt they can dig up on their co-workers. It’s our first introduction to Duke Silver and its where we really start to get to know Jerry Gergich (Jim O’Heir) as the office punching bag. It’s a lot of fun.

3. Fancy Party (S3E9) – My favorite couple on Parks is April (Aubrey Plaza) and Andy (Chris Pratt), hands down. April’s perpetually annoyed demeanor plays off of Andy’s wide-eyed man-child to a form a relationship that managed to feel both inevitable and wildly implausible at the same time. That they would invite their friends and family to bring components of a party to their house (Ben’s items to bring: Avatar, 50 pair of 3-D glasses and a 3-D capable TV) for the purpose of having a surprise wedding is sweet and hilarious and perfectly encapsulates April and Andy.

2. Ron and Tammy: Part Two (S3E4) – I couldn’t make this list without including at least one of the episodes where we get to see Ron interact with his second ex-wife (and real-life spouse Megan Mullally) Tammy 2. I picked a second one because of the ridiculously amusing gag of seeing Ron with corn rows and a mustache with a bald spot in the middle from “friction.” What puts this version of the Ron and Tammy saga on the list over the others is the B story where we learn about Ben’s paralyzing fear of policemen as he and Leslie position themselves to get a favor from Pawnee’s chief of police. It’s this episode where Ben starts to really learn what Leslie is all about. When he asks the police chief why he says that Leslie Knope gets all the favors she wants and he responds, “Because she’s the kind of person who uses favors to help other people.”

1. Flu Season (S3E2) – I realize that three of my five picks are from season three, but you have to understand that I believe that season three of Parks and Rec is the best season of TV sitcom ever. And Flu Season is 22 tight minutes of laughs and the crew splitting off into perfect comedic parings, Tom (Aziz Ansari) and Ben, April and Ann, and my personal favorite, Ron and Andy. Oh, and it also contains what show creator Michael Schur has called, and I agree with him, the funniest one liner in all seven seasons of the show, seen here.

I’m going to restrain myself from giving honorable mentions because I might list every other episode. What say you? What did I miss? What are your favorite episodes? Parks and Recreation can be streamed on Netflix. 


In the age of digital streaming, everyone has a show they want you to watch. Depending on how many seasons you’ve already missed, this can be a daunting proposition. This is why I’m always excited when someone recommends I watch a show and it has less than 20 episodes. I was able to watch Luther in a week! It happened again this week when a friend recommended I watch ABC’s Downward Dog. Downward Dog had a lot going for it. First, it stars Allison Tolman who is probably best known for her role as Molly Solverson on the first season of FX’s Fargo. Tolman is great. I’m a big fan. The conceit is also pretty intriguing. Picture a Modern Family/The Office/Parks and Recreation style mockumentary style sit-com, but the only character that does the talking head portions and the narration is a middle-aged dog who is going through an existential crisis. It’s fun in a way that, as my friend put it, it will never last. And my friend was right. It’s already been cancelled. But the best thing about it is that there are only 8 episodes. I watched the whole thing in an afternoon. It’s the perfect show to begin and finish watching over the summer while your other shows are on hiatus. It’s light, it moves quick and it’s really, really funny. It’s been cancelled by ABC, but the producers are reportedly shopping it around to other networks. It’s unique and different and every viewer counts. Downward Dog can be streamed on Hulu.


Shall We Begin? After what seemed like a lifetime but really was only a year, HBO’s Game of Thrones is back! Once the dust settled from a bloody first few minutes, the rest of the episode was spent moving the pieces into place for the rest of season seven and next year’s climactic season eight. By the looks of it, they’re not going to spend much time messing around. Cersei wants her kingdom back and isn’t going to take no for an answer. Jon needs dragon glass to defeat the Night’s King and, thanks to Sam, he’s about to find out that there’s a whole mess of it at Dragonstone. It looks like we’ll get to see the family reunion that we’ve all been looking forward to but Jon and his Aunt Daenerys don’t yet know is a thing, as the Mother of Dragons has just landed at, you guessed it, Dragonstone. You’ve also got Arya and Bran doing their thing, Sansa paying a little too much attention to Littlefinger and whatever it is that Uncle Greyjoy has up his sleeve. There are a lot of moving pieces and only 12 episodes left until it’s all over.

So what do you think is going to happen? Are Ms. Breaker of Chains and Mr. Snow going to kill the Lannisters on their way to defeat the White Walkers? Or do they need to form a tentative truce with Cersei to survive the winter? And what side is Jamie going to be on? My plan for Game of Thrones is to give a weekly, mostly spoiler free recap on Feelin’ Film TV with the opportunity for more in depth, spoiler-filled discussion in the comments and on our Facebook page. Game of Thrones airs Sunday nights on HBO and can be found streaming on the HBO Now and HBO Go platforms.

That’s all for now! As always, we want this to just be the start of our discussion. Feel free to contribute your thoughts in the comments or our Facebook group. Leave us your thoughts on my list or your predictions for this season of Game of Thrones. See you next week!

Feelin’ TV: May 7-14

I’ve long been intrigued by the idea of high-concept movies. For the uninitiated, a high-concept movie is one that can be pitched in one sentence. The most famous semi-recent example is the doesn’t-even-need-a-sentence-to-be-pitched-just-listen-to-the-title movie from 2006, Snakes on a Plane. While some, if not most, films that fit into this subset are easily forgotten or are memorable only for the name and a few lines of dialogue, others like Jurassic Park (“What if dinosaurs were real…TODAY!”) find the legs to transcend the conceit and achieve staying-power. High-concept TV is trickier. While an interesting hook can get people to the pilot, it is character and story that will keep people coming back week after week. Eventually the show has to transcend the concept to survive. The way this has been done well in the past is by using the high concept as a hook and then over time turning the show into a low-concept vehicle that concentrates on character and story. Breaking Bad immediately comes to mind as a recent example (“What if a high school chemistry teacher got cancer and had to start selling meth to pay for his treatment!”) of a show that did just that. Recently, NBC premiered the sitcom Powerless (“What if there was a show about the people in the comics who don’t have powers and who are getting saved all the time!”) that failed to move past the original hook and thus, was quickly canceled. When people don’t have something to grab on to after you grab their attention, even the comedy stylings of people like Alan Tudyk, Danny Pudi and Ron Funchess can’t keep mediocrity at bay.

This brings me to my current favorite comedy on television, Last Man on Earth on Fox. You don’t have to be super creative to have an idea of what the pitch meeting for the show looked like. “Picture this: everyone on earth is dead except for one idiot played by Will Forte!” I don’t say that disparagingly. That’s all I knew about the show when I tuned in for the first episode in 2015. It was a good hook. But over the past 3 seasons, it has consistently risen above its concept and become a really solid look at what it means to be a survivor, forge community (Spoiler: while Forte’s Phil Miller is the titular “last man on earth,” he wasn’t actually the last man on earth) and rebuild after tragedy. The show could have been just a funny look at what it would be like to be able to do whatever you wanted simply because no one else was around, but instead it’s been tragic yet joyful, dark yet silly and always very funny. It has somehow found the perfect combination of lowest common denominator laughs, biting humor, subtle character development and heart. Season three wrapped this week with a bang as we saw a complication filled child birth, a nuclear meltdown, a change of location, a fire, the death of an old character and the introduction of a new character all in two 20 minute episodes. If you haven’t seen the show, I highly recommend it. If you quit watching because it didn’t transcend it’s high-concept conceit soon enough for your liking, I’d suggest you give it another try. All three seasons are currently streaming on Hulu.

  • Do you like high-concept shows that go deeper than their concept like LMoE? Does “Ok, Kristen Bell goes to heaven; only she’s not supposed to be there” sound funny to you? Give The Good Place a try. I can’t think of many shows I’ve watched that had a stronger first season than this comedy from one of the creators of Parks and Recreation and Brooklyn 99. You can catch up over the summer on Hulu.
  • New to stream this week on Netflix is season two of Aziz Ansari’s show Master of None. It picks up where season 2 left off with Ansari’s Dev pursuing culinary training in Italy. While the story arc of the season is nice, the stand out episodes take a detour into the lives of other friends of Dev and, in one stand out episode, the lives of random New Yorkers. The thing that makes Master of None stand out to me is that Ansari and co-creator Alan Yang could have simply created a standard sitcom based around Ansari’s comic persona, but instead they went deeper to create a show that, while funny, takes the time to examine tough issues about being an adult, falling in love, relating to your parents, etc. Season two wasn’t quite as strong for me as season one, but there are some stand-out episodes, including a season premiere that’s an amusing homage to the 1948 film Bicycle Thieves.
  • Did you binge Master of None, get sad and end up wanting to watch something similar? Does Master of None sound intriguing but you don’t like it’s TV-MA rating? I’d suggest giving TV Land’s Jim Gaffigan Show a try, also on Netflix. Like Master of None, it would have been really easy for Jim and his wife and co-creator Jeanne Gaffigan to create a standard sitcom about a husband and father of 5 who is a slob and eats all the time. Fortunately, they dive deeper and offer thoughtful reflection on celebrity, religion, fatherhood, friendship and being a husband in 2 seasons of great television. Sadly, the Gaffigan’s decided they didn’t have the time to put into making more TV, but instead of being sad that it’s over, I’d suggest being thankful that it happened by watching the show that they did have time to make.
  • This week in the Arrowverse: While Arrow and Supergirl focused mainly on table setting and moving the pieces into place for the last couple of the episodes of the season, The Flash pulled out one of its best episodes of the season. By using the old super hero standby of amnesia, the show was able to help us remember the earlier days of Barry Allen’s story where he was light-hearted and fun instead of the brooding hero we now see every week. Doing so allowed them to add some meta-commentary about why things have become so dour in Central City as opposed to the way things used to be. It was a lot of good fun.