MOVIE REVIEW: A Simple Favor

Aaron White is a Seattle-based film critic and co-creator/co-host of the Feelin’ Film Podcast. He is also a member of the Seattle Film Critics Society. He writes reviews with a focus on the emotional experience he has with a film. Follow him on Facebook and Twitter to be notified when new content is posted.

By Request 001: The Last Five Years

Aaron reacts to The Last Five Years, the Broadway to Big Screen musical starring Anna Kendrick and Jeremy Jordan.


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Music: “Something Elated” – Broke For Free

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You Should Be Watching: June 28 – July 4

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. This week I’m recommending another career defining project from the gone-too-soon Bill Paxton, a darkly comic Jason Reitman romantic drama, and Wim Wenders contemplative exploration of a broken man.

Also, among the comings and goings, Star Wars: The Last Jedi and Disney’s Tarzan have arrived on Netflix, Shutter Island has come to both Amazon Prime and Hulu, and last year’s I Kill Giants has come to Hulu as well. Breakfast at Tiffany’s and Pee-wee’s Big Adventure are moving from Netflix to Amazon Prime. And the previously featured Changeling will be leaving Netflix on July 15. Arriving this week on Netflix is the original Jurassic Park trilogy and a whole lot more quality films to all the services as June turns to July.





Year: 2001

Director: Bill Paxton

Genre: Crime, Thriller, Drama

Cast: Bill Paxton, Matthew McConaughey, Powers Boothe, Matt O’Leary, Jeremy Sumpter, Luke Askew, Levi Kreis, Derk Cheetwood, Missy Crider, Alan Davidson, Cynthia Ettinger, Gwen McGee, Rebecca Tilney


I start off with another film featuring the late, great Bill Paxton. On its face, Frailty, may appear to be a run-of-the-mill gory slasher movie. I assure you it’s anything but. Penned by Brent Hanley and directed by Paxton, who also plays the lead character Dad Meiks and offers another career-defining performance, the film is far from run of the mill with its narrator-driven story that offers no easy answers. Meiks loves his boys as much as any father could, but that love is challenged when he sees an angel of God and is told he must destroy demons who have taken on the guise of humans. His sons are to help. Fully convinced the calling is divine, he is compelled to carry out the task, no matter the cost to him or his sons.

While this is not a graphic film, it is a disturbing film filled with atmosphere and a soundtrack that adds to the creepy, foreboding nature of every scene. Paxton relies greatly on the Hitchcockian method of building suspense through anticipation and letting the mind visualize the violence rather than show it all. It’s a film that while offering satisfying answers, leaves many more questions unanswered. But these are the kind of questions that shouldn’t be answered by the film. Questions about the nature of God and demons and special revelation and justice and our responsibilities. Questions that matter.

Up in the Air

Year: 2009

Director: Jason Reitman

Genre: Drama, Romance

Cast: George Clooney, Vera Farmiga, Anna Kendrick, Danny McBride, Jason Bateman, Amy Morton, Melanie Lynskey, Zach Galifianakis, J.K. Simmons, Sam Elliott, Tamala Jones, Adhir Kalyan, Ashton Kutcher, Keri Maletto, Steve Eastin, Adrienne Lamping, Chris Lowell, Erin McGrane


Being a corporate “downsizer” requires one to develop a certain kind of heartlessness about the pain inflicted on those being laid off. In this incisive and darkly comic Jason Reitman film, George Clooney as executive Ryan Bingham perfectly exemplifies such characteristics along with the sharp cynicism and cockiness that Clooney does so well. Bingham is all wrapped up in himself and his personal goals, which fits the like minded traveler who he crosses paths (and bodies) with named Alex (Vera Farmiga) just fine.

But when Bingham is tasked to train up and comer Natalie Keener (Anna Kendrick), who has a plan to make mass firings cheaper through videoconferencing technology, he’s forced to come face to face with himself and the emptiness of the life he’s living and his inner longing for meaningful relationship. In this film, George Clooney gets to be at his cockiest and most playful as well as at his lowest. And Vera Farmiga matches him note for note. Anna Kendrick is great too as she goes through her own emotional journey.


Paris, Texas


Year: 1984

Director: Wim Wenders

Genre: Drama

Cast: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Hunter Carson, Aurore Clément, Bernhard Wicki, John Lurie, Jeni Vici, Sally Norvell, Socorro Valdez, Claresie Mobley, Viva, Tom Farrell


Wim Wenders directs this remarkable film detailing the journey of a middle-aged man named Travis Henderson (Harry Dean Stanton), a man who walked away from his young wife and child and disappeared into obscurity only to show up as a mute wanderer in poor health four years later. The script, co-written by Sam Shepard and L.M. Kit Carson shows great compassion for Travis, and at times, it can be difficult to see the sensitivity and lack of condemnation shown him, a man who chooses to run away from his commitments rather than face his failures, but that’s real life and there is value in seeing into the soul of such a man, to see the demons he is battling.

This is a tour-de-force from the late Stanton. The world-weariness he silently portrays, the moments of hope and happiness where a tentative smile lights up his face, the sadness he feels when he’s rejected by his son, the despair, the regret, the determination, all the emotion and personality of this broken man pours out of him. And while her part is much smaller, I would be remiss to leave out Nastassja Kinski for her role as Jane Henderson. The way she ever so slowly shifts from flirty to uncomfortable to breaking down into sobs is incredible to watch.

Partnering with cinematographer Robby Müller, Wenders uses atypical camera angles, careful framing (such as the precise use of mirrors to show both sides of a conversation simultaneously), and Ry Cooder’s gentle but haunting guitar-picking score along with brilliant dialogue all serve to create a film that is hypnotic and contemplative to frame its wonderfully evocative yet authentic performances.



LAST CHANCE (last date to watch)


June 30
An Honest Liar (2014)
Before Midnight (2013)
King Kong (2005)
Little Women (1994)
Michael Clayton (2007)
Midnight in Paris (2011)
On Golden Pond (1981)
Pee-wee’s Big Adventure (1985)
Tropic Thunder (2008)
V for Vendetta (2005)

From the Lethal Weapon Collection:

Lethal Weapon (1987)
Lethal Weapon 2 (1989)

July 1
Breakfast at Tiffany’s (1961)

July 15
Changeling (2008)



June 29
13 Hours: The Secret Soldiers of Benghazi (2016)
Basic Instinct (1992)
Friday the 13th (1980)
Marathon Man (1975)
The Music Never Stopped (2011)
A Simple Plan (1998)

June 30
Dogville (2004)
Escape from New York (1981)
The Karate Kid (1984)
Mystic River (2003)
Sleepers (1996)



June 29
History Is Made at Night (1937)
The Italian Connection (1972)
The Music Man (1962)

From the Lars Von Trier collection:

Breaking the Waves (1996) *
Dogville (2003) **
Europa (1991) *
The Five Obstructions (2003)

June 30
Caliber 9 (1972)
It Happened One Night (1934)
The Ladykillers (1955)
Uptight (1968)

July 6
Husbands and Wives (1992)
Who’s Afraid of Virginia Woolf? (1966)

July 8
Together (2000)

July 13
Losing Ground (1982)
Sweet Smell of Success (1957)

July 20
Blow-Up (1966)
Rififi (1955)
Thieves’ Highway (1949)

*  Remaining on the Criterion channel
** Remaining on the FilmStruck channel



June 30
Zodiac (2007)
Stories We Tell (2012)
A Simple Plan (1998)
Project Nim (2011)
Marathon Man (1976)
A League of Their Own (1992)




Star Wars: The Last Jedi (2017)
Tarzan (1999)



Breach (2007)
The Invisible War (2012)
Shutter Island (2010)
Suburbia (1983)



Don’t Look Now: We’re Being Shot At (1966)
Hype! (1996)
The Searchers (1956)
Sonatine (1993)
The Sorrow and the Pity (1969)



Ballet 422 (2014)
Shutter Island (2010)
I Kill Giants (2017)




June 29
Tau — NETFLIX FILM (2018)

July 1
The Boondock Saints (1999)
Finding Neverland (2004)
Happy Gilmore (1996)
Interview with the Vampire (1994)
Jurassic Park (1993) — Parts II and III also available
Menace II Society (1993)
Troy (2004)

July 5
Blue Valentine (2010)



July 1
20,000 Days on Earth (2014)
A.I. Artificial Intelligence (2001)
The Act of Killing (2012)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
Angel Heart (1987)
American Psycho (2000)
Assassination (2015)
Barfly (1987)
Blazing Saddles (1974)
Breakfast at Tiffany’s (1961)
The Brothers Bloom (2008)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Dead Man Walking (1995)
The Graduate (1967)
Gran Torino (2008)
The Invisible War (2012)
The Monster Squad (1987)
Mulholland Drive (2001)
Patriot Games (1992)
Pee-wee’s Big Adventure (1985)
Pretty in Pink (1986)
Rabbit Hole (2010)
Six Shooter (2004)
State of Grace (1990)
V for Vendetta (2006)
Waste Land (2010)
Witness (1985)
Woody Allen: A Documentary (2011)
Zodiac (2007)



July 1
A.I. Artificial Intelligence (2001)
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
All Is Lost (2013)
American Psycho (2000)
Assassination (2015)
Angel Heart (1987)
Barfly (1987)
Before Midnight (2013)
Bill & Ted’s Excellent Adventure (1989)
Braveheart (1995)
The Brothers Bloom (2008)
Clear and Present Danger (1994)
Clue (1985)
Dead Man Walking (1995)
Election (1999)
Hustle & Flow (2005)
Midnight in Paris (2011)
The Monster Squad (1987)
Pretty in Pink (1986)
Rabbit Hole (2010)
The Rainmaker (1997)
Six Shooter (2004)
Sleepers (1996)
This Is Spinal Tap (1984)
Witness (1985)

July 3
Borg vs McEnroe (2018)


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

Episode 049: Scott Pilgrim vs. The World

This week we are covering the second of our two listener chosen episodes based on voting compiled from films recommended using the #FeelThisFilm hashtag. The winning movie was Scott Pilgrim vs. the World and we couldn’t be more excited to discuss this awesome and unique film experience. There is nothing quite like this creative graphic novel adaptation by Edgar Wright. We just might be in lesbians with this one.

What We’ve Been Up To – 0:02:43

(Patrick – The Graduate)

(Aaron – Kong: Skull Island, Pacific Rim, NieR: Automata)

Scott Pilgrim vs. the World Review – 0:17:25 

The Connecting Point – 1:04:11

Download this Episode 

Intro/Outro Music – “Air Hockey Saloon” by Chris Zabriskie

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