You Should Be Watching: June 14-20

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. This week I’m recommending an epic wartime trilogy about a man striving to live up to his pacifist ideals in 1940s Japan, an award-winning film about a mother and her son whose entire world is the room they live in, expiring from Amazon Prime soon, and lastly a fascinating documentary detailing the exploits of the man who famously walked a wire between the Twin Towers of Manhattan. Also, this week is  your last chance to catch Captain America: Civil War on Netflix.

 


STREAMING PICKS OF THE WEEK


 

The Human Condition Trilogy

Year: 1959, 1960, 1961

Director: Masaki Kobayashi

Genre: Drama, History, War

Cast: Tatsuya Nakadai, Michiyo Aratama, Chikage Awashima, Ineko Arima, Sô Yamamura, Akira Ishihama, Kôji Nanbara, Seiji Miyaguchi, Tôru Abe, Masao Mishima, Eitarô Ozawa, Kôji Mitsui, Akitake Kôno, Nobuo Nakamura, 山茶花 究, Eijirō Tōno, Shinsuke Ashida, Keiji Sada, Yasushi Nagata, Yoshio Kosugi, Toshiko Kobayashi, Taiji Tonoyama, Akira Tani, Junji Masuda, Torahiko Hamada, Teruko Kishi, Takamaru Sasaki, Akio Isono, Jun Ôtomo

 

The Human Condition, Masaki Kobayashi’s epic wartime trilogy is set in Japan during World War II. It represents one man’s complete journey to balance his drive to care for and protect the woman he loves against risking everything to live according to his idealistic principles. From technical details like his perfect blocking and shot construction to the universal concepts of romantic love, sacrifice, and the desire of all mankind to be treated with dignity, Kobayashi’s directorial and storytelling expertise shines through every frame, and his influence on future filmmakers is readily apparent, especially the threads between Part II and Stanley Kubrick’s Full Metal Jacket as our hero experiences firsthand the brutality of the Japanese army.

Kobayashi centers our viewpoint firmly on Kaji (Tatsuya Nakadai) and his humble compassion right from the introduction, where we meet him and Michiko (Michiyo Aratama), the woman he loves. Kaji is a pacifist with socialist ideals, so despite them wanting to marry, he wants to protect her from the hardship a life with him would surely provide. At one point, Michiko fights to convince him to stand by and let injustice happen so that he won’t surely be killed for treason, and it’s one of the most powerful and heartrending scenes in cinema.

Throughout the trilogy, as Kaji goes from a metaphorical to a grueling literal journey, he continues to face internal conflict over his beliefs and his compassion for his fellow man. But between the utter exhaustion and delirium of himself and his companions, presented in the most visceral of ways, his growing inability to stop the cruelty around him slowly breaks down his resolve and his character. In this, his most broken down and desperate state, we see what is at his core that will drive him to hold on to his humanity.

EXPIRING: Last day to watch on FilmStruck channel is June 22. Will remain on Criterion channel


 

Room

Year: 2015

Director: Lenny Abrahamson

Genre: Drama, Thriller

Cast: Brie Larson, Jacob Tremblay, Joan Allen, William H. Macy, Sean Bridgers, Tom McCamus, Amanda Brugel, Joe Pingue, Cas Anvar, Wendy Crewson, Kate Drummond, Randal Edwards, Jack Fulton, Justin Mader, Zarrin Darnell-Martin, Jee-Yun Lee, Ola Sturik, Rodrigo Fernandez-Stoll, Rory O’Shea, Matt Gordon, Sandy McMaster, Chantelle Chung, Brad Wietersen, Derek Herd

 

For those few of you who have yet to see it, Room is an amazing film that will fill your heart with emotion, remind you of the powerful bond between mother and child, and challenge your perspective of the world around you. Brie Larson as Ma gives an Oscar-winning performance, and Jacob Tremblay as Ma’s son Jack gives an Oscar-deserving one. The premise is simple. Jack has lived his whole life in a small room with Ma. They receive a visitor every once in a while who gets them what they need to survive in exchange for sleeping with Ma while Jack goes and sleeps in the closet. Having given up hope of ever leaving the room and for the sake of Jack’s happiness, Ma has embraced the fiction the room is the world.

Their experience is grieving, the horror practically unimaginable. This is Larson at her most vulnerable, completely owning the reality of Ma’s wretched state and its effect on her body and mind. And Tremblay is a revelation. Even as a child actor, he makes it easy to believe the life experiences of Jack, his innocence, wonder, hurt, and anger are his own. This story presents a  fearful yet heavy reality of similar and even worse events occurring all around the world.

But It turns out to be a deeply layered film that sticks with you long after it’s over. Jack’s perspective relate to all of us in a philosophical, big picture, life-changing sense. But so did Ma’s in the sense of our day-to-day reality and how we bear the weight of our past. It’s not easy to take an all-too-common yet tragic story like this and have it say so much about life and death, good and evil, family, depression, perspective, burdens, sacrifice, the media, innocence, and wonder. But the combined efforts of both writer Emma Donoghue and director Lenny Abrahamson masterfully provided just that.

EXPIRING: Last day to watch is June 23


 

Man on Wire

Year: 2008

Director: James Marsh 

Genre: Documentary, History, Crime, Thriller

Cast: Philippe Petit, Jean François Heckel, Jean-Louis Blondeau, Annie Allix, David Forman, Alan Welner, Barry Greenhouse, Jim Moore

 

There’s a phenomenon that occurs now and then in the film world where the subject matter of an acclaimed documentary is sooner or later created as a narrative film. We see that currently with the movies about the life of Fred Rogers. But previously, this occurred with the awe-inspiring documentary I’m recommending, Man on Wire, which details the exploits of Phillippe Petit, a daredevil French high-wire walker who had an inner compulsion to perform increasingly dangerous feats of wirewalking. His ultimate obsession, as dramatized in Robert Zemeckis‘ 4th-wall-breaking film The Walk, was to attach a wire between the Twin Towers of Manhattan and walk from one side to the other.

What makes this film so fascinating and makes the aforementioned dramatization unnecessary, is its intercutting of interviews, archival footage, and re-enactments to clearly tell the compelling story of this strange yet entertaining showman who was driven to do the impossible and the band of friends and accomplices he compiled who would help him do so. As far Petit was concerned, the illegality of the feats he was compelled to perform meant nothing more than another obstacle. Nearly as much as danger itself, It is the forbidden, illegal nature of his plan to walk between the towers that infuses the film with tension and excitement. It plays very much like a heist film with all the detailed planning, setbacks, and specific windows of opportunity you’d expect, even though nothing is being stolen but an experience.


 

COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

June 15
Super (2010)

June 18
Theeb (2014)

June 24
Captain America: Civil War (2016)

June 29
On Golden Pond (1981)

 

AMAZON PRIME

June 15
Anomalisa (2015)

June 23
Room (2013)

 

FILMSTRUCK

June 15
City Lights (1931) *
A Matter of Life and Death (1946)
Metropolis (1927)
Peeping Tom (1960)
Wag the Dog (1997)

June 22
An American in Paris (1951)
An Angel at My Table (1990) *
The Human Condition I: No Greater Love (1959) *
The Human Condition II: Road to Eternity (1960) *
The Human Condition III: A Soldier’s Prayer (1961) *
The Piano (1993)

June 29
Dogville (2003) **
The Five Obstructions (2003)
The Italian Connection (1972)
The Music Man (1962)

June 30
Caliber 9 (1972)
It Happened One Night (1934)
The Ladykillers (1955)

*  Remaining on the Criterion channel
** Remaining on the FilmStruck channel

 

HULU

June 30
Zodiac (2007)
Stories We Tell (2012)
A Simple Plan (1998)
Project Nim (2011)
Marathon Man (1976)
A League of Their Own (1992)


 

JUST ARRIVED

NETFLIX

Ali’s Wedding – NETFLIX FILM (2017)

 

AMAZON PRIME

Bad Lieutenant: Port of Call New Orleans (2009)
Precious (2009)
Red River (1948)

 

FILMSTRUCK

Arthur (1981)
Baby Doll (1956)
Cabaret (1972)
Chronicle of Anna Magdalena Bach (1968)
Moses and Aaron (1975)
Of Mice and Men (1939)
The Strange Love of Martha Ivers (1946)

 

HULU

Precious (2009)


 

COMING THIS WEEK

NETFLIX

June 16
In Bruges (2008)

 

HULU

June 15
Middle of Nowhere (2012)
The Second Mother (2015)
Smoke (1995)
Tell Them Anything You Want: A Portrait of Maurice Sendak (2009)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: June 7-13

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. This week I’m recommending Baz Lurhmann’s charming directorial debut, an electric and moving exploration of the tempting and destructive power of greed set amidst the housing crisis, and a classic film full of high-stakes tension. There are also a whole bunch of great titles that arrived on streaming platforms this past week and several leaving as well.

 


STREAMING PICKS OF THE WEEK


Strictly Ballroom

Year: 1992

Director: Baz Luhrmann

Genre: Comedy, Drama, Romance

Cast: Paul Mercurio, Tara Morice, Bill Hunter, Pat Thomson, Gia Carides, Peter Whitford, Barry Otto, John Hannan, Sonia Kruger, Kris McQuade, Pip Mushin, Antonio Vargas, Armonia Benedito, Lauren Hewett, Steve Grace, Paul Bertram, Todd McKenney, Kerry Shrimpton

Pretty much all Baz Luhrmann films share similar traits. They’re stylish, full of energy, from the editing to the music, and more than a little quirky. As Lurhmann’s endearing directorial debut, Strictly Ballroom offers all that and more wrapped up in an infectious package. It contains many poignant moments of humor and wears its heart on its sleeve. It’s also genre defying in the best way, essentially a romantic sports dramedy with a touch of mockumentary with the setting being a ballroom dancing competition.

The plot is your basic boy meets frumpy, overlooked girl who turns out to have hidden talent and a protective family and isn’t so frumpy after all, but it’s the characters, the relationships, the humor, and the choreography, and the family dynamics and history that make this movie extra special. Paul Mercurio as Scott Hastings is full of charisma and passion. He just wants to dance his heart out and doesn’t have a mean bone in his body, making him easy to root ford. He has wonderful chemistry with Tara Morice who plays Fran his would-be new partner after his last one left him, and it’s a sheer joy watching them dance together. There’s a lot more to Fran than meets the eye. The scene where Scott meets her family is a key turning point in the film as is him learning his parents’ past. There’s a little something here for everyone, so I would highly recommend it to pretty much everyone.


 

99 Homes

Year: 2014

Director: Ramin Bahrani

Genre: Drama

Cast: Andrew Garfield, Laura Dern, Michael Shannon, Tim Guinee, J.D. Evermore, Noah Lomax, Clancy Brown, Nicole Barré, Cullen Moss, Wayne Pére, Judd Lormand, Gretchen Koerner, Yvonne Landry, Donna DuPlantier, Jordyn McDempsey, Gus Rhodes, John L. Armijo, Jayson Warner Smith, Ann Mahoney, Juan Gaspard, Nadiyah Skyy Taylor, Deneen Tyler, David Maldonado, Cynthia Santiago, Joni Bovill, Carl Palmer, Albert C. Bates, Tom Bui, Manu Narayan

 

In the vein of Wall Street comes this incredibly depressing yet extremely satisfying film that shows the tempting yet destructive power of greed and incremental moral compromise. Michael Shannon is scary good as Rick Carver, a ruthless and charismatic real estate broker, who will do whatever it takes to make as much money as he can, no matter who he hurts in the process. This includes him taking on an unlikely employee and ultimate partner whom he will have leverage over.

This man is Dennis Nash (Andrew Garfield), a single father who along with his son and mother have been evicted from their home by this same Rick Carver. He’s desperate for an opportunity to earn the money necessary to get their home back, but desperation makes one forget about consequences to his actions. Garfield shows great range as he goes on this journey from one side of the evictions to the other, finding himself increasingly helpless to his greed, his lies, and Carver’s silver-tongued influence, leading him step-by-step down his moral decline. It’s a powerful lesson on how we rationalize sin and temptation.


 

The Wages of Fear

  

Year: 1953

Director: Henri-Georges Clouzot

Genre: Adventure, Drama, Thriller

Cast: Yves Montand, Charles Vanel, Peter van Eyck, Folco Lulli, Véra Clouzot, Antonio Centa, Luis De Lima, Jo Dest, Darío Moreno, William Tubbs, Grégoire Gromoff, Joseph Palau-Fabre, Darling Légitimus, François Valorbe

 

With The Wages of Fear, Henri-Georges Clouzot created one of the most heightened and sustained exercises in tension found in classic cinema. Due to an oil field fire and no time for proper equipment, two pairs of desperate men, of which Mario (Yves Montand) and Jo (Charles Vanel) receive primary focus, are contracted to drive trucks full of extremely volatile nitroglycerine 300 miles across horrendous terrain and obstacles. And it is not tension for tension’s sake. The film exists as a cry of frustration towards the miserable and oppressive conditions encouraged by corporate imperialism and the unavoidable consequences of the resulting desperation.

To make the tension of the journey meaningful, Clouzot first establishes the hopelessness of the characters and their internal tensions caused by a sort of love triangle. He takes his time establishing the setting, an isolated town of poverty and sweltering heat in southern Mexico that’s surrounded by desert, and the pitiful lives of its inhabitants. The only way out is by airplane, but that takes money, and the town is all but controlled by the oppressive and manipulative company that owns the nearby oil fields and keeps jobs hard to come by. The friction that builds between the men who become drivers only add to the stress and fear that a truck could explode at any time, which takes toll after toll.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

June 9
Omar (2013)

June 11
Kano (2014)

June 15
Super (2010)

June 18
Theeb (2014)

June 24
Captain America: Civil War (2016)

June 29
On Golden Pond (1981)

 

AMAZON PRIME

June 7
Remember (2015)

June 9
Rosewater (2014)

June 15
Anomalisa (2015)

 

FILMSTRUCK

June 8
Christopher Guest:

Best in Show (2000)
Waiting for Guffman (1996)

Elia Kazan:

On the Waterfront (1954)
A Face in the Crowd (1957)

June 15
A Matter of Life and Death (1946)
Metropolis (1927)
Peeping Tom (1960)
Wag the Dog (1997)

June 22
An American in Paris (1951)
The Piano (1993)

June 30
Caliber 9 (1972)
It Happened One Night (1934)


JUST ARRIVED

NETFLIX

Bad Genius (2017)
Blue Jasmine (2013)
The Departed (2006)
The King’s Speech (2010)
Miracle (2004)
National Treasure (2004)
Outside In (2017)
Thor: Ragnarok (2017)

 

AMAZON PRIME

The Age of Innocence (1993)
Bad Lieutenant: Port of Call New Orleans (2009)
Breakdown (1997)
The ’Burbs (1989)
The Disaster Artist (2017)
Escape from Alcatraz (1979)
Event Horizon (1997)
Lady Bird (2017)
The Natural (1984)
The Running Man (1987)
Saturday Night Fever (1977)
Stargate (1994)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Wonder Wheel — AMAZON ORIGINAL MOVIE (2017)

 

HULU

Apollo 13 (1995)
A Beautiful Mind (2001)
Brokeback Mountain (2005)
Bull Durham (1988)
The ’Burbs (1989)
Escape from Alcatraz (1979)
Event Horizon (1997)
The Green Mile (1999)
Hellboy (2004)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Lord of the Rings: The Two Towers (2002)
The Lord of the Rings: The Return of the King (2003)
Margin Call (2011)
My Left Foot: The Story of Christy Brown (1989)
Punch-Drunk Love (2002)
The Running Man (1987)
Stargate (1994)
Steel Magnolias (1989)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)


 

COMING THIS WEEK

NETFLIX

June 8
Ali’s Wedding – NETFLIX FILM (2017)

June 14
Cutie and the Boxer (2013)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 31 – June 6

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found.

This week, I’m recommending one of my all-time favorite crime thrillers that doubles as a piercing character study of the everyman. Next, I have a classic pairing of Bogart and Hepburn on an adventure on the rivers of Africa. And finally, I’m recommending an intense Israeli courtroom drama about one woman’s quest for a divorce from a loveless marriage. And in the coming and going section, there are a whole bucketload of worthwhile movies coming to streaming in the first week of June including the arrival of Thor: Ragnarok to Netflix, Lady Bird to Amazon Prime, and Blade Runner 2049 to Hulu.

 

 


STREAMING PICKS OF THE WEEK


A Simple Plan

    

Year: 1998

Director: Sam Raimi

Genre: Thriller, Crime, Drama

Cast: Bill Paxton, Bridget Fonda, Billy Bob Thornton, Brent Briscoe, Chelcie Ross, Gary Cole, Becky Ann Baker, Tom Carey, Jack Walsh

 

To start my recommendations, I’m headed back to 90s crime thriller territory to a can’t miss film about good people doing evil things. It’s easy to watch films like The Wolf of Wall Street and… well, Wall Street and self-righteously sit back and condemn the greed on display. We’re not heartless and self-absorbed like those jerks, we think. We wouldn’t put the pursuit of money above literally everything else. We’re not evil like that. But greed is not so easily dismissed. Greed does in fact lie in the heart of good people. And when that greed takes hold, well, as the Bible says, the love of money is a root of all kinds of evil.

The setup of A Simple Plan is just that, simple. Two kindly brothers, Hank and Jacob, and their good friend Lou (Bill Paxton, Billy Bob Thornton, Brent Briscoe) discover a crashed plane in the woods near their home with nothing but a dead pilot and over four million dollars in cash. What Sam Raimi does with this setup is to masterfully challenge his audience through the consequences of one seemingly rational decision after another by each of these characters along with Hank’s wife Sarah (Bridget Fonda) to reveal the horrifying things human nature can convince us to do out of greed and fear of getting caught. It is a film rightfully at the top of Raimi’s filmography, one of the best studies of human nature on film, and among the best performed roles of each of its stars. I cannot recommend <i>A Simple Plan</i> highly enough.


 

The African Queen

Year: 1951

Director: John Huston

Genre: Adventure, Romance, War, Drama

Cast: Humphrey Bogart, Katharine Hepburn, Robert Morley, Peter Bull, Theodore Bikel, Walter Gotell, Peter Swanwick, Richard Marner

 

Sure, it’s directed by John Huston, the man who gave us such adventure classics as The Treasure of the Sierra Madre and The Man Who Would Be King. Sure, it’s filmed on location in the jungles of Uganda and the Congo in lush technicolor. But what makes The African Queen really shine is the strength of its stars, that is Humphrey Bogart and Katharine Hepburn. Even playing the disheveled, ill-mannered boat captain Charlie Allnut, Bogie can’t help but charm. And with Hepburn as his near polar opposite, the straight-laced missionary Rose Sayer who has just seen her mission destroyed and the villagers run off by the Germans of World War I, the stage is set for this unlikely pair to set off on an unlikely adventure.

Through the trials of a handful of thrilling set pieces and especially the sharp, snappy dialogue and wonderful chemistry between Charlie and Rose, a relationship slowly begins to take shape. While neither expects the other to become something they’re not, they find satisfaction in learning about each other and looking out for their well-being, whether it’s Charlie taking ill or Rose about to dive into alligator-filled waters to get away from a horde of files. The more dirty, weary, and bedraggled the pair become, the more joy they find in simply being together and facing their obstacles as one. All in all, it’s a charming film showcasing Africa’s beauty and its exotic rivers and an inspiring story of love strengthened through trials.


 

Gett: The Trial of Viviane Amsalem

  

Year: 2014

Director: Ronit Elkabetz, Shlomi Elkabetz

Genre: Drama

Cast: Ronit Elkabetz, Simon Abkarian, Menashe Noy, Gabi Amrani, Dalia Beger

 

For my final recommendation, I head to the oft-neglected area of Israeli film for a searing single-room setting courtroom drama. Gett: The Trial of Viviane Amsalem presents the unfolding of hearing after hearing as Viviane (Ronit Elkabetz) and her lawyer implore the Jewish religious courts to give her a divorce from her husband Elisha (Simon Abkarian) whom she can’t abide and no longer lives with. He is completely unwilling to grant her the divorce she seeks. While he claims to want her back, to love her, the bitterness is evident on both their faces. The acting in this film is stellar. It’s amazing to watch the change in Elkabetz throughout the extended trial, whether through her nonverbal reactions or her slow burning frustration that eventually bubbles over.

This is actually the third film in the Gett Trilogy. Weird recommendation, I know. However, I absolutely do recommend it even as a standalone film, even though Viviane’s stated goal is to obtain a divorce. Let me be clear. I hate divorce. It approves of selfishness, makes one’s happiness the ultimate priority, excuses a lack of sacrificial love, and tears apart families. I hate how prevalent divorce is, especially in western society, where people treat their vow to love and cherish the other for as long as they both shall live with utter disregard. So why the recommendation? It’s a brilliant study of Jewish culture and its court system and the bitter consequence of a lack of love lived out, a love in word not in deed until even the words are gone. While on one hand this film is a call to reform the Jewish court system, on the other, it’s a powerful revelation of how marriages die. It acts as a powerful warning to all husbands and wives to give themselves fully to their spouses, to love them deeply and unselfishly.

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 31
8 Mile (2002)
Janis: Little Girl Blue (2015)
Men In Black (1997)
My Left Foot: The Story of Christy Brown (1989)
Neerja (2016)
Oldboy (2003)
Scarface (1983)
Super (2010)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Resurrection of Jake the Snake (2015)
Training Day (2001)

June 24
Captain America: Civil War (2016)

June 29
On Golden Pond (1981)

 

AMAZON PRIME

May 31
From the Rocky Collection:

Rocky (1976)
Rocky II (1979)

From the James Bond Collection:

Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
The Spy Who Loved Me (1977)

June 7
Remember (2015)

June 9
Rosewater (2014)

 

FILMSTRUCK

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)
Natural Born Killers (1994)

June 8
Christopher Guest:

Best in Show (2000)
Waiting for Guffman (1996)

Elia Kazan:

On the Waterfront (1954)
A Face in the Crowd (1957)

June 15
A Matter of Life and Death (1946)
Metropolis (1927)
Peeping Tom (1960)
Wag the Dog (1997)

June 22
An American in Paris (1951)
The Piano (1993)

 

HULU

May 31
1984 (1984)
Breakdown (1997)
Manhattan (1979)
The Secret of N.I.M.H. (1982)


 

JUST ARRIVED

NETFLIX

Coco (2017)
Bombshell: The Hedy Lamarr Story (2017)

 

FILMSTRUCK

Seven Beauties (1975)
The Unknown (1927)
Wendy and Lucy (2008)
The Women (1939)
Lolita (1962)
Grand Hotel (1932)

 

HULU

I, Tonya (2017)
Rain Man (1988)


 

COMING THIS WEEK

NETFLIX

June 1
Blue Jasmine (2013)
The Departed (2006)
Miracle (2004)
National Treasure (2004)
Outside In (2017)

June 2
The King’s Speech (2010)

June 5
Thor: Ragnarok (2017)

 

AMAZON PRIME

June 1
The Age of Innocence (1993)
Bad Lieutenant: Port of Call New Orleans (2009)
Breakdown (1997)
The ’Burbs (1989)
Day of the Dead (1985)
The Disaster Artist (2017)
Escape from Alcatraz (1979)
Event Horizon (1997)
The Natural (1984)
The Running Man (1987)
Saturday Night Fever (1977)
Space Jam (1996)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Wonder Wheel — AMAZON ORIGINAL MOVIE (2017)

June 3
Lady Bird (2017)
Stargate (1994)

 

HULU

June 1
Apollo 13 (1995)
A Beautiful Mind (2001)
Brokeback Mountain (2005)
Bull Durham (1988)
The ’Burbs (1989)
Escape from Alcatraz (1979)
Event Horizon (1997)
Hellboy (2004)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Lord of the Rings: The Two Towers (2002)
The Lord of the Rings: The Return of the King (2003)
Margin Call (2011)
My Left Foot: The Story of Christy Brown (1989)
Punch-Drunk Love (2002)
The Running Man (1987)
Steel Magnolias (1989)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Trainspotting (1996)

June 2
Blade Runner 2049 (2017)

June 3
Stargate (1994)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 24-30

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. This week, I’m recommending one of the most classic of Westerns, a film about the love of cinema, and Don Bluth’s magical animated directorial debut about mice and rats. Also, among the films coming and going Coco arrives on Netflix this week and I, Tonya on Hulu.

 


STREAMING PICKS OF THE WEEK


High Noon

Year: 1952

Director: Fred Zinnemann

Genre: Western

Cast: Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Otto Kruger, Lon Chaney Jr., Harry Morgan, Ian MacDonald, Eve McVeagh, Morgan Farley, Harry Shannon, Lee Van Cleef, Robert J. Wilke, Sheb Wooley, Jack Elam, John Doucette, Ted Stanhope, Lee Aaker, Guy Beach, Larry J. Blake, John Breen, Tex Driscoll, Herschel Graham, Paul Kruger, William H. O’Brien, Roy Bucko, Russell Custer, Nora Bush

 

<i>High Noon</i> is the epitome of the classic Western, featuring a small Old West town with a virtuous good guy lawman named Will Kane (Gary Cooper) and a formidable bad guy outlaw (and his gang) named Frank Miller (Ian MacDonald), who is headed for town to get revenge against Kane for sending him to prison. To complicate matters even more, our hero, Marshal Kane, has just turned in his badge so he could marry his love, a pacifist Quaker named Amy (Grace Kelly), and with the news of Miller’s gang having arrived with Miller soon to follow, the newly married couple are rushed out of town in hopes of avoiding bloodshed. But Kane is torn between the love he has for his new bride and his duty to the unprotected town he was to leave behind, even though he struggles to find anyone willing to help him defend it.

This film is tightly scripted and tension-filled with the ever-present clock serving as a ongoing countdown towards the likely demise of both Kane’s life and his young marriage. And Amy’s discovery of “another woman” only makes matter worse. With each minute that passes, and with each request for help that’s refused, the desperation grows. Gary Cooper is a perfect fit for the Marshal role, stoic but heartfelt. Grace Kelly, in only her second film, delivers a wonderfully complex performance as the bride who loves her husband dearly but also has her own values to which she is fiercely loyal and refuses to sit around waiting for him to get killed.

EXPIRING: Last day to watch is 5/31


 

Cinema Paradiso

Year: 1988

Director: Giuseppe Tornatore

Genre: Romance, Drama

Cast: Philippe Noiret, Jacques Perrin, Marco Leonardi, Salvatore Cascio, Agnese Nano, Antonella Attili, Enzo Cannavale, Isa Danieli, Leo Gullotta, Pupella Maggio, Leopoldo Trieste, Tano Cimarosa, Nicola Di Pinto, Roberta Lena, Nino Terzo, Brigitte Fossey, Mariella Lo Giudice, Beatrice Palme, Franco Catalano, Giuseppe Tornatore, Giorgio Libassi, Mimmo Mignemi

 

If you love movies, if you love the cinema, if seeing the magical images flicker through the darkness on the screen in front of you fills you with the greatest of joys, <i>Cinema Paradiso</i> is for you. The film opens by introducing us to famous fictional film director Salvatore Di Vita receiving the news that Alfredo has died. Who is Alfredo, and what was his relationship with Salvatore? Flashing back to Salvatore at age 6, shortly after World War II, that story begins. Even at that young age, Salvatore, played with the utmost of precociousness by Salvatore Cascio, develops an intense love for the movies by practically living at his village’s local theater, the Cinema Paradiso, where we first meet Alfredo. But as the seasons of Salvatore’s young life go on, we learn he is no stranger to tragedy and must learn how to overcome. All the while, he continues to explore the world of film and develop the skills and experience that would turn him into the the master filmmaker he ultimately becomes. Over the course of the story, we experience various seasons of his young life and ultimately discover the positive and lasting impact one can have on a child’s life simply by taking the time to invest in him.


 

The Secret of N.I.M.H.

  

Year: 1982

Director: Don Bluth

Genre: Animation, Drama, Family, Fantasy

Cast: Derek Jacobi, Elizabeth Hartman, Arthur Malet, Dom DeLuise, Hermione Baddeley, Shannen Doherty, Wil Wheaton, Jodi Hicks, Ian Fried, John Carradine, Peter Strauss, Paul Shenar

 

Don Bluth, the animation director perhaps most famous for the prehistoric classic <i>The Land Before Time</i> came out of the gate swinging with his directorial debut <i>The Secret of N.I.M.H.</i>, a brisk adaptation of the novel <i>Mrs. Frisby and the Rats of N.I.M.H.</i>. Creatively combining science and dark fantasy with surprisingly mature themes such as the imminence of death and the ethics of animal experimentation, Bluth created a magical, vibrant, world rich in mythology and full of stunning hand-drawn animation that rivals most Disney features and will appeal to young and old alike. It’s inspiring to see the lone mother and widow Mrs. Brisby, voiced by Elizabeth Hartman, doing everything within her power to care for her children and save her sick son. While there is a tone of mystery and wonder throughout, unlike in many animated films, the audience is not spoon-fed information. Viewers are expected to pay attention, and they will be rewarded for doing so. Just for fun, listen for a very young Shannen Doherty and Wil Wheaton as Mrs. Brisby’s firstborn daughter Teresa and son Martin.

EXPIRING: Last day to watch is 5/31


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 27
Black Coal, Thin Ice (2014)
Middle of Nowhere (2012)

May 29
The Jungle Book (2016)

May 31
Janis: Little Girl Blue (2015)
Men In Black (1997)
My Left Foot: The Story of Christy Brown (1989)
Oldboy (2003)
Scarface (1983)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Resurrection of Jake the Snake (2015)
Training Day (2001)

 

AMAZON PRIME

May 30
1984 (1984)
A.I. Artificial Intelligence (2001)
Breakdown (1997)
Chaplin (1992)
Glengarry Glen Ross (1992)
Manhattan (1979)
Regarding Henry (1991)
The Secret of N.I.M.H. (1982)

May 31
From the Rocky Collection:

Rocky (1976)
Rocky II (1979)

From the James Bond Collection:

Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
The Spy Who Loved Me (1977)

 

FILMSTRUCK

May 25
Brighton Rock (1948)
Carol Reed:

The Fallen Idol (1948)
The Third Man (1949)

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)

June 8
Christopher Guest:

Best in Show (2000)
Waiting for Guffman (1996)

Elia Kazan:

On the Waterfront (1954)
A Face in the Crowd (1957)

 

HULU

May 31
1984 (1984)
Breakdown (1997)
Manhattan (1979)
The Secret of N.I.M.H. (1982)


 

JUST ARRIVED

NETFLIX

Cargo — NETFLIX FILM (2017)
Bridge to Terabithia (2007)
Small Town Crime (2017)
The Survivor’s Guide to Prison (2018)

 

AMAZON PRIME

Beatriz at Dinner (2017)
The Black Stallion (1979)
Death at a Funeral (2007)

 

FILMSTRUCK

The Asphalt Jungle (1950)
The Maltese Falcon (1941)
The Man Who Would Be King (1975)
The Treasure of the Sierra Madre (1948)

 

HULU

Beatriz at Dinner (2017)
Justice League: The Flashpoint Paradox (2013)


 

COMING THIS WEEK

NETFLIX

May 29
Coco (2017)

May 31
Bombshell: The Hedy Lamarr Story (2017)

 

HULU

May 31
I, Tonya (2017)
Rain Man (1988)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 17-23

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. I highlight films that come with my personal recommendation as well as provide a list of notable titles that are coming and going so you’re sure not to miss out on the good stuff.

 


STREAMING PICKS OF THE WEEK


Oculus

Year: 2013

Director: Mike Flanagan

Genre: Horror

Cast: Karen Gillan, Brenton Thwaites, Katee Sackhoff, James Lafferty, Rory Cochrane, Kate Siegel, Garrett Ryan, Katie Parker, Miguel Sandoval, Annalise Basso

 

I’ll be honest with you. I have relatively limited experience with horror. But I still believe that Oculus, a nightmarish puzzle box of a film directed, co-written, and edited by Mike Flanagan, is one of the most wickedly intelligent films in the genre. The genius is evident in the setup. By having Tim Russell (Brenton Thwaites), brother to Kaylie (Karen Gillan) be a just-released patient of a mental institution because of a violent act he carried out as a child, sanity is already in question. Kaylie is convinced the whole affair began because of a haunted mirror and is committed to destroying it before it destroys them. But what’s easier to believe, that someone is crazy or that they’re under the influence of the supernatural?

Through Flanagan’s careful editing of the past and the present, and through keeping it unclear whether what the camera is presenting is real or imagined, the audience is continually kept off balance along with the siblings. Flanagan makes wonderful use of darkness and light throughout to maintain the ideal, haunting atmosphere, and the character motivations and actions are right on target, not easily second guessed. The terror is subtle yet just brutal enough to convey the true horror of the situation, and I can’t say enough good things about Karen Gillan. Her performance here reminded me why I loved her so much in Doctor Who.


 

Harakiri

  

Year: 1962

Director: Masaki Kobayashi

Genre: History, Action, Drama

Cast: Tatsuya Nakadai, Rentarô Mikuni, Shima Iwashita, Akira Ishihama, Yoshio Inaba, Masao Mishima, Kei Satō, Ichirô Nakatani, Hisashi Igawa, Tôru Takeuchi, Tatsuo Matsumura, Akiji Kobayashi, Kôichi Hayashi, Ryûtarô Gomi, Nakajirô Tomita, Kenzô Tanaka, Shôtarô Hayashi, Tetsurō Tamba

 

Masaki Kobayashi’s Harakiri is a true masterpiece of Japanese samurai storytelling, deserving every bit as much praise as more popular fare such as Kurosawa’s Seven Samurai. Everything from the artistry to the intricately woven plot to the carefully developed emotion to the presentation of a time and a people long past is pure excellence. To begin the film, Hanshiro Tsugumo (Tatsuya Nakadai) is introduced, stoic and seeming in full control at all times, which makes his stated intentions all the more confusing and shocking. He is an older samurai who comes to the house of a feudal lord with the claim that he is willing to commit the ritual suicide known as hara-kiri. But first he must be allowed to tell a story.

The bulk of this film is the presentation of that story and its aftermath, and let me tell you, it’s possibly the most exquisitely crafted story I’ve ever experienced through film, and it will keep you hanging on every frame. Through non-linear flashbacks, Kobayashi introduces the audience to each relevant character, their experiences, and the implications of those experiences at the precise moments needed to maximize intellectual engagement and emotional impact, leading to a progressive series of light-bulb moments as the full truth of the situation is gradually revealed.


 

The Flowers of War

    

Year: 2011

Director: Zhang Yimou

Genre: Drama, History, War

Cast: Christian Bale, Ni Ni, Tong Dawei, Zhang Xinyi, Shigeo Kobayashi, Atsuro Watabe, Shawn Dou, Paul Schneider

 

Many people recognize Zhang Yimou’s 2002 film Hero to be a classic of Chinese cinema, with its eye-popping visuals nothing less than poetry in film form. Cut to 2011, and we have The Flowers of War, Yimou’s highly underrated, culturally diverse war film starring Christian Bale and set during Japan’s rape of Nanking in 1937 that seems to have fallen through the cracks of cultural awareness.    Through a contrast of visuals and characters, Yimou demonstrates the horrors of war and the beauty of sacrifice, especially when learned by the disreputable and self-centered.

Bale shines as the American John Miller, a self-indulgent mortician, who cares for nothing but his own comfort and pleasure as he seeks a quick payday on his way out of Nanking before it’s completely overrun by brutal Japanese soldiers. His unlikely counterpart is Yu Mo (Ni Ni), the leader of a group of prostitutes who are also trying to escape the city. Together with a group of schoolgirls, they all end up together, seeking sanctuary and survival at the girls’ convent. Zhang Yimou and his DP Zhao Xiaoding created a beautiful film about a horrifying event. The plotting is creative, and a wholly human face, with all of its cracks and blemishes is put on our unlikely hero, the innocent schoolgirls, and the prostitutes, many of whom were forced unwillingly into that life at a frighteningly early age.

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 21
Inglourious Basterds (2009)

May 27
Middle of Nowhere (2012)

May 29
The Jungle Book (2016)

 

AMAZON PRIME

May 18
Creed (2015)

May 30
A.I. Artificial Intelligence (2001)
1984 (1984)
Breakdown (1997)
Regarding Henry (1991)

 

FILMSTRUCK

May 18
Luchino Visconti:

La Terra Trema (1948)
The Leopard (1963)
Rocco and His Brothers (1960)

May 25
Carol Reed:

The Fallen Idol (1948)
The Third Man (1949)

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)

June 8
Christopher Guest:

Best in Show (2000)
Waiting for Guffman (1996)

Elia Kazan:

On the Waterfront (1954)
A Face in the Crowd (1957)


 

JUST ARRIVED

NETFLIX

Lupin the Third: The Castle of Cagliostro (1979)
The 40 Year-Old Virgin (2005)
Phantom of the Opera (2004)

 

AMAZON PRIME

Winter’s Bone (2010)

 

FILMSTRUCK

Billy Wilder:

Ace in the Hole (1951)
Some Like It Hot (1959)
Stalag 17 (1953)
Sunset Boulevard (1950)
Witness for the Prosecution (1957)

All the President’s Men (1976)
Dark Passage (1947)
Key Largo (1948)
The Killing Fields (1984)
Mildred Pierce (1945)
Stella Dallas (1937)
To Have and Have Not (1944)

 

HULU

In the Fade (2017)
Still Mine (2010)


 

COMING THIS WEEK

NETFLIX

May 18
Cargo — NETFLIX FILM (2017)
Catching Feelings — NETFLIX FILM (2017)

May 19
Bridge to Terabithia (2007)
Small Town Crime (2017)

May 24
The Survivor’s Guide to Prison (2018)

 

AMAZON PRIME

May 19
Beatriz at Dinner (2017)

 

HULU

May 19
Beatriz at Dinner (2017)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 10-16

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, FilmStruck, and anywhere else streams are found. I highlight films that come with my personal recommendation as well as provide a list of notable titles that are coming and going so you’re sure not to miss out on the good stuff.

 


STREAMING PICKS OF THE WEEK


Modern Times

  

 

Year: 1936

Director: Charles Chaplin

Genre: Comedy, Drama

Cast: Charlie Chaplin, Paulette Goddard, Henry Bergman, Tiny Sandford, Chester Conklin, Hank Mann, Stanley Blystone, Al Ernest Garcia, Richard Alexander, Cecil Reynolds, Mira McKinney, Murdock MacQuarrie, Wilfred Lucas, Edward LeSaint, Fred Malatesta, Sammy Stein, Juana Sutton, Ted Oliver, Gloria DeHaven, Norman Ainsley, Bobby Barber, Chuck Hamilton, Jack Low, Harry Wilson, Heinie Conklin, Bruce Mitchell, Lloyd Ingraham, Walter James, Buddy Messinger

 

Last week, I highlighted the legendary icon of silent film Charles Chaplin through the biopic about his life simply called Chaplin, which stars a young Robert Downey Jr. Consequently, this week, I’m taking you back a half century further to recommend Charlie himself in a mid-career film that will have the whole family cracking up at Chaplin’s antics (yes, you should share this and other silent movies with your kids). But there’s a reason Chaplin titled this film Modern Times, and he has much more to offer than mere slapstick. Chaplin, playing the part of A Factory Worker amidst The Great Depression, applies a humorous twist on key issues of the day, not unlike modern day socioeconomic concerns, through a series of loosely connected set pieces. Regardless whether he’s exploring the relentless, dehumanizing nature of industrialism via the machines of the assembly line, taking on the problem of political witch hunts, or celebrating romantic love among the destitute, he makes your laughter mean something. You may even feel your heartstrings plucked, and speaking of the love relationship, Paulette Goddard holds her own against Chaplin and lights up the screen every time she appears.


 

Temple Grandin

    

Year: 2010

Director: Mick Jackson

Genre: Biography, Drama

Cast: Claire Danes, Catherine O’Hara, Julia Ormond, David Strathairn, Melissa Farman, Barry Tubb, Cherami Leigh, Tamara Jolaine, Charles Baker, Blair Bomar, David Born, Chloë Evans, Jordan Strassner, Michael D. Conway, Xochitl Romero, Joe Nemmers, Richard Dillard, David Blackwell, Toby Metcalf, Brady Coleman, Silver Renee, Chad McMinn, Nicole Holt, Jake Messinger, Cynthia Huerta, Jessica Wilson, Cassandra L. Small, Kurt Cole, William Akey

 

While I’ve certainly enjoyed seeing Claire Danes in many of her other roles, nothing could have prepared me for seeing her inhabit the role of Temple Grandin, who was among the first people with autism to publicly share their personal experience of living with it. If this were the only role I’d seen Danes play, I’d assume she herself had some form of autism. As it is, she’s practically unrecognizable, not only in her appearance, but in her very attempts at speaking and expressing herself. Her Golden Globe for Best Actress was well deserved.

Temple’s story is remarkable and represents and is among the most fascinating, well-made, and inspiring biopics I’ve seen. She is a brilliant, motivated woman of outstanding character. But early in her life, because of her condition, she refused to speak and threw frequent temper tantrums, leaving her tragically misunderstood and mistreated by her parents and ultimately misdiagnosed as was common at the time. Thankfully, that was only the beginning of her story, and through the journey, you’ll see the amazing things she has accomplished and hopefully gain empathy and a much greater understanding and appreciation for a group of people who are so easily dismissed.

NOTE: The last day to stream Temple Grandin on Amazon Prime is May 21.


 

Changeling


Year: 2008

Director: Clint Eastwood

Genre: Crime, Mystery, Drama

Cast: Angelina Jolie, Jeffrey Donovan, John Malkovich, Geoff Pierson, Amy Ryan, Gattlin Griffith, Michelle Gunn, Frank Wood, Colm Feore, Michael Kelly, Denis O’Hare, Jeffrey Hutchinson, Devon Conti, Peter Breitmayer, Antonia Bennett, Erica Grant, Jan Devereaux, Kerri Randles, Morgan Eastwood, Ric Sarabia, Debra Christofferson, Russell Edge, Mary Stein, Gregg Binkley, E.J. Callahan, Reed Birney, Colby French, Kelly Lynn Warren, Richard King

 

For a Clint Eastwood-directed film that’s only 10 years old, Changeling is curiously absent from the cultural consciousness and is criminally underrated. This gripping, stylish Twilight Zone-esque mystery dramatizes the stranger-than-fiction events surrounding Christine Collins (played by Angelina Jolie) and the disappearance of her son Walter. The screenwriter himself, J. Michael Straczynski, in researching the details of the true events found the story so bizarre he thought it couldn’t be real. Being set in 1920s L.A. gives Eastwood a veritable playground of ideas to explore, from the city’s attempts to present a glamorous facade to brutality and corruption within the police force. But through his expert direction and some great casting including Jeffrey Donovan as the police captain, John Malkovich playing against type as Reverend Briegleb and especially with Jolie’s passionate Oscar-nominated performance, the most important quality that’s on display is the unbreakable bond between a missing son and a mother who will go through hell just for the possibility of getting him back.


 

Breakdown

      

Year: 1997

Director: Jonathan Mostow

Genre: Action, Drama, Thriller

Cast: Kurt Russell, J.T. Walsh, Kathleen Quinlan, M.C. Gainey, Jack Noseworthy, Rex Linn, Ritch Brinkley, Moira Harris, Kim Robillard, Thomas Kopache, Jack McGee, Vincent Berry, Helen Duffy, Ancel Cook, Gene Hartline

 

To finish, let’s go back to 90s thriller territory with Jonathan Mostow’s standout suspense ride Breakdown, which is another Twilight Zone-type story about a disappearance that contains more than faint echoes of Alfred Hitchcock’s The Lady Vanishes and Steven Spielberg’s Duel. Kurt Russell is in prime form here as yuppie Jeff Taylor, husband to Amy (Kathleen Quinlan) and opposite Russell, J.T. Walsh is wonderfully unnerving. The movie starts out simple enough with the couple driving across the country in their brand new Jeep, but before long they have car trouble in the desert, they get separated while Amy gets a ride to go call for help at the only place around for miles, and then nothing. She has vanished without a sign, and an increasingly desperate and panicked husband can’t find anyone to believe his story. Mostow’s direction is focused and tight, always propelling the mystery, paranoia, and action forward. So once the tension starts, it doesn’t let up, leaving you with a thoroughly pulse-pounding experience.


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 11
Fruitvale Station (2013)
Talladega Nights: The Ballad of Ricky Bobby (2006)

May 15
Metropolis [Restored] (1927)

May 29
The Jungle Book (2016)

 

AMAZON PRIME

May 17
Red Dawn (1984)

May 18
Creed (2015)

May 21
Behind the Candelabra (2013)
Conspiracy (2001)
The Sunset Limited (2011)
Temple Grandin (2010)

 

FILMSTRUCK

May 11
Forbidden Planet (1956)

Werner Herzog:

Aguirre: The Wrath of God (1972)
Fitzcarraldo (1982)
Nosferatu the Vampyre (1979)

May 16
Glengarry Glen Ross (1992)

May 18
Luchino Visconti:

La Terra Trema (1948)
The Leopard (1963)
Rocco and His Brothers (1960)

May 25
Carol Reed:

The Fallen Idol (1948)
The Third Man (1949)

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)

 


 

JUST ARRIVED

NETFLIX

Faces Places (2017)

 

AMAZON PRIME

Warrior (2011)
Last Flag Flying — Amazon Original (2017)
Stories We Tell (2012)

 

FILMSTRUCK

David Lean Collection:

The Bridge on the River Kwai (1957)
Doctor Zhivago (1965)
Lawrence of Arabia (1962)

Alphaville (1965)
Army of Shadows (1969)
Bob le Flambeur (1956)
Le Trou (1960)
Je T’aime, Je T’aime (1968)

 

HULU

Warrior (2011)


 

COMING THIS WEEK

NETFLIX

May 16
89 (2017)
The 40 Year Old Virgin (2005)
The Phantom of the Opera (2004)

 

AMAZON PRIME

May 12
Still Mine (2013)

 

HULU

May 12
Jane (2017)
Still Mine (2013)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

You Should Be Watching: May 3-9

Welcome to You Should Be Watching, my weekly opportunity to introduce you to a variety of great films, gems of the past and present, available for you to stream from Netflix, Amazon Prime, Filmstruck, and anywhere else streams are found. I highlight films that come with my personal recommendation as well as provide a list of notable titles that are coming and going so you’re sure not to miss out on the good stuff. Alright? Let’s get started.

 


STREAMING PICKS OF THE WEEK


Chaplin

      

Year: 1992

Director: Richard Attenborough

Genre:  Biography, Comedy, Drama

Cast: Robert Downey Jr., Geraldine Chaplin, Paul Rhys, John Thaw, Moira Kelly, Anthony Hopkins, Dan Aykroyd, Marisa Tomei, Penelope Ann Miller, Kevin Kline, Matthew Cottle, Maria Pitillo, Milla Jovovich, Kevin Dunn, Deborah Moore, Diane Lane, Nancy Travis, James Woods, David Duchovny, Michael Cade, P.H. Moriarty, Howard Lew Lewis, John Standing 

 

Long before Robert Downey Jr. put on the mantle of the iconic Tony Stark in the Marvel Cinematic Universe (MCU), he wowed audiences with his Oscar-nominated, BAFTA-winning performance as the king of silent film comedy–Charlie Chaplin. It’s fascinating to watch him become the character synonymous with Chaplin, that is The Tramp. But many people don’t even realize that mustachioed fellow with the cane and the funny gait did not represent Chaplin’s normal self. Charles Chaplin was a real person behind the mustache and wig. He was a complicated man who led a complicated life, and he was far from perfect. But like any man, he had hopes and dreams, and he wanted to make the world laugh, and laugh they did. It’s a special experience to see Downey Jr. bring this man to life, giving us viewers a window into the life of such an important figure in the history of film. Hopefully, afterwards, you’ll have the push needed to go explore the real Charlie Chaplin’s work.


 

The Negotiator

Year: 1998

Director: F. Gary Gray

Genre: Action, Crime, Adventure, Mystery, Drama, Thriller

Cast: Samuel L. Jackson, Kevin Spacey, David Morse, Ron Rifkin, John Spencer, J.T. Walsh, Siobhan Fallon, Paul Giamatti, Regina Taylor, Bruce Beatty, Michael Cudlitz, Carlos Gómez, Tim Kelleher, Dean Norris, Nestor Serrano, Doug Spinuzza, Leonard L. Thomas, Stephen Lee, Lily Nicksay, Lauri Johnson, Sabi Dorr, Gene Wolande, Rhonda Dotson, John Lordan, Jack Shearer, Donna Ponterotto, Michael Shamus Wiles, Mik Scriba, Joey Perillo

 

While we’re on the subject of earlier work by actors who are part of the MCU, let’s move on to this tense but highly entertaining 90s crime thriller starring Samuel L. Jackson playing classic Samuel L. Jackson. His character is Danny Roman, a hostage negotiator turned desperate hostage taker after he’s accused of murder and corruption. Yep, Kevin Spacey stars too. If that’s a problem for you, I’m sorry, but I’m recommending art here. Performances not people. Spacey is brilliant as fellow negotiator Chris Sabian, as he so often is in roles that give him the opportunity to play out a mental chess match with the other guy. It’s an edge-of-your-seat guessing game throughout as to what’s actually going on and who’s going to get the upper hand. If you like fast-paced 90s thrillers, you can’t go wrong seeing these two go head to head. The Negotiator is a blast.


 

In The Mood For Love

  

 

Year: 2000

Director: Wong Kar-Wai

Genre: Romance, Drama

Cast: Tony Leung Chiu-Wai, Maggie Cheung, Rebecca Pan, Kelly Lai Chen, Siu Ping-Lam, Mama Hung, Joe Cheung, Koo Kam-Wah, Chan Man-Lei, Pauline Suen, Roy Cheung

 

Now let’s take a hard right and head into foreign film territory. There are so many ways that a story about adultery can go badly. Adultery is often trivialized or overly sexualized. Wong Kar-Wai avoids every single potential pitfall by emphasizing emotion and longing rather than lust. With artistic values that are quite simply off-the-charts and while avoiding salaciousness, he presents an all too real story about the pain of isolation from those we love and the subtle seeds from which affairs grow, the temporary happiness they promise, and how they affect the unseen future. The emotion of the story is enhanced even more by the backdrop of incredible shots full of creative camera angles, straight lines, bold color, so much elegance and an amazing musical landscape that accompanies the visuals highlighted by the oh so beautiful recurring Yumeji’s Theme, a dark violin-led waltz.


 

Lawrence of Arabia

Year: 1962

Director: David Lean

Genre:  Adventure, Biography, Drama

Cast: Peter O’Toole, Alec Guinness, Anthony Quinn, Jack Hawkins, Omar Sharif, Claude Rains, Anthony Quayle, José Ferrer, Arthur Kennedy, Donald Wolfit, Zia Mohyeddin, I.S. Johar, Gamil Ratib, Michel Ray, John Dimech, Howard Marion-Crawford, Jack Gwillim, Hugh Miller, Robert Rietty, John Barry, Bruce Beeby, John Bennett, Steve Birtles, David Lean, Robert Bolt, Daniel Moynihan, Peter Burton, James Hayter, Barry Warren

 

Finally, we come to David Lean’s time-tested historical epic, our second biopic and winner of seven Academy Awards, this one based on the life and writings of British officer T. E. Lawrence, who came to care for a country not his own. As a result, he sought to assist the Arabs in World War I in their battle against the Turks, using the skills, strategy, and leadership qualities he’d gained through his military experience. This is a film filled with fascinating characters and detail and exciting large-scale action. David Lean’s filmmaking in conjunction with Freddie Young’s cinematography is exquisite, always enchanting. Never has a desert landscape looked more gorgeous and combined with Peter O’Toole’s arresting performance as the titular and ever-present Lawrence, the nearly four-hour runtime is not only earned, it breezes by, so don’t let it keep you from experiencing this masterpiece.

 

 


COMING AND GOING


LAST CHANCE (last date to watch)

NETFLIX

May 4
Bernie (2011)

May 8
Sing Street (2016)

May 11
Fruitvale Station (2013)
Talladega Nights: The Ballad of Ricky Bobby (2006)

May 29
The Jungle Book (2016)

 

AMAZON PRIME

None announced

 

FILMSTRUCK

May 11
Forbidden Planet (1956)

Werner Herzog:

Aguirre: The Wrath of God (1972)
Fitzcarraldo (1982)
Nosferatu the Vampyre (1979)

May 16
Glengarry Glen Ross (1992)

May 18
Luchino Visconti:

La Terra Trema (1948)
The Leopard (1963)
Rocco and His Brothers (1960)

May 25
Carol Reed:

The Fallen Idol (1948)
The Third Man (1949)

May 31
High Noon (1952)

June 1
House of Flying Daggers (2004)
A Night At The Opera (1935)


 

JUST ARRIVED

NETFLIX

Amélie (2001)
Beautiful Girls (1996)
The Bourne Ultimatum (2007)
Hachi: A Dog’s Tale (2009)
Hellboy II: The Golden Army (2008)
Red Dragon (2002)
Scream 2 (1997)
Shrek (2001)

 

AMAZON PRIME

A.I. Artificial Intelligence (2001)
Bull Durham (1988)
The Crow (1994)
Eight Men Out (1988)
The Elephant Man (1980)
Frailty (2001)
The Hurt Locker (2008)
Insomnia (2002)
Manhunter (1986)
Thief (1981)
Wonder Boys (2000)

From the James Bond Collection:

Dr. No (1962)
From Russia With Love (1963)
Goldfinger (1964)

From the Rocky Collection:

Rocky (1976)
Rocky II (1979)

 

FILMSTRUCK

Gold Diggers of 1933 (1933)
High Noon (1952)
A Streetcar Named Desire (1951)


 

COMING THIS WEEK

NETFLIX

May 4
Anon — Netflix Original (2018)

May 5
Faces Places (2017)

 

AMAZON PRIME

May 4
Last Flag Flying — Amazon Original (2017)

May 5
Warrior (2011)

 


Jacob Neff is a film enthusiast living east of Sacramento. In addition to his contributions as an admin of the Feelin’ Film Facebook group and website, he is an active participant in the Letterboxd community, where his film reviews can be found. Follow him on Facebook and Twitter to keep up with his latest thoughts and shared content.

What We Learned this Week: March 18-24

LESSON #1: BE SMARTER AND SEEK SMARTER FILM CRITICISM— This video from Patrick Willems is amazing.  He nails the topic like an industrial nail gun with the safety off installing a roof of shingles in a 11 minutes.  As a self-made critic, the ideals discussed here are where I strive towards.  Always seek improvement.

LESSON #2: THE FLOODGATES ARE NOW OPEN. BE PREPARED— In the extended wake of all things Harvey Weinstein, the bankruptcy announcement of his studio company, The Weinstein Company, did more than just sink production.  All legal contacts connected to the company are now voided and that includes non-disclosure agreements.  Yes, THOSE non-disclosure agreements.  If you think you’ve heard an unimaginable amount of names and victims, get ready.  A tabloid tsunami is coming.

LESSON #3: LET’S PROMOTE TENDER MASCULINITY— From a seedy history of emasculation from Lesson #1, let’s bring in optimism.  I cross-publish my Every Movie Has a Lesson film reviews on the social publication platform Medium.com where I have discovered a multitude of very good writers operating their own worthy stumps of commentary on any number of subjects.  I really appreciated this recent piece from Terra Liore of Electric Lit entitled “In Praise of Tender Masculinity, the New Non-Toxic Way to Be a Man.”  Liore examined some of our favorite movie and literary characters who exemplify a healthier and more nuanced manliness away from machismo.  She cites films like Moonlight and Magic Mike XXL and characters like Samwise Ganges from The Lord of the Rings trilogy and Remus Lupin from the Harry Potter series.  It’s a great piece that I encourage you to check out.  We need more of this.

LESSON #4: SEATS ARE FOR BUTTS— When this ScreenCrush story (oh, the puns!) of a man dying after having his head trapped in an electric theater seat crossed the Feelin’ Film Facebook group, I thought it had to be from The Onion.  There was no way it was true.  Alas, condolences are needed and a few lessons needs to be learned.  The culprit was a dropped phone and a malfunctioning seat.  Go ahead and fire up the PSA printing press for one more reason to put your damn cell phones away at the movies.  Those massively connected and dense seats are indeed a labyrinth.  If you have trouble, get some help from the theater staff before trying to take matters in your own hands.  Finally, society may have a reason for employing those senior citizen drug store staple products of the grabbing extender thingamabob.  I think it’s time to arm every theater usher in America! Think of the lives (and phones) we can save!

LESSON #5: THE NUMBERS ARE IN AND JUSTICE LEAGUE IS IN LAST PLACE FOR THE DCEU— In the latest chapter of the eternal lesson of “too big to fail,” the final box office numbers came in for Justice League with a total worldwide gross of $647,924,295.  Man of Steel is next with around $660 million.  While that is more than double its reported $300 million budget where no one is loosing any fortunes or stock options, the cloud of disappoint still looms.  The knee-jerk time period has cooled and we can better ask and advise where Warner Bros. will go from here.  Right now, it’s up to Aquaman and Shazam.  “The Rock” makes everything better, right?

LESSON #6: PHYSICAL MEDIA STILL HAS A PLACE— Today, the favorite film of 2017 for many Feelin’ Film followers (and hosts), The Greatest Showman, becomes available for digital download.  This is the first chance to own the successful and celebrated film for home viewing.  The Greatest Showman will still be available on Blu-ray and DVD on April 10th.  We’re coming to a time where that is not always the case.  I know I was bummed to hear that one of my favorite 2017 films, Wonderstruck from Amazon Studios, was not going to receive a physical disc release and only be available on streaming platforms for the immediate future. Has manufacturing discs really become that low in profitability?  Maybe so, that linked Flavorwire article researched that numbers for digital sales (subscriptions, rentals, VOD, downloads) totaled $13 billion in 2017 compared to $4.7 billion for packaged products.  Businesses are going to jump at that earning potential even if they can have both.  To me, that’s one sign of many to a slow extinction for physical media.  I think discs are going to be a Criterion-level niche like vinyl records soon.  How many folks out there have gone more digital?  How many people are still steadily buying physical media of current films (don’t count those Criterion keepsakes)?  I know my number has dropped precipitously in the last five years.  Both that cited Wonderstruck link and this recent story from Collider implore consumers to stave off the coming extinction.  If you’re like me and enjoy the feel of possessing something special, give them a read.


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  He is a proud member and one of the founders of the Chicago Independent Film Critics Circle.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on FacebookTwitterMedium, and Creators Media.

 

 

What We Learned This Week: August 20-26

 RETURNING FROM SUMMER VACATION: I take two weeks off and all hell breaks loose!

LESSON #1: “MANSPLAINING” IS NEVER ENDEARING OR RESPECTFUL— For a guy who has fostered one “Strong Female Character” after another, including two of the greatest in Sarah Connor and Ellen Ripley, James Cameron sure missed the big picture of Wonder Woman.  In an interview with The Guardian (full context), the Titanic filmmaker stated “All of the self-congratulatory back-patting Hollywood’s been doing over Wonder Woman has been so misguided” and adds “She’s an objectified icon, and it’s just male Hollywood doing the same old thing! I’m not saying I didn’t like the movie but, to me, it’s a step backwards.”  Well now, Mr. Pott.  What color is the kettle?  Mr. Cameron is entitled to his opinion and slant (the film is far from perfect), but the fun thing is we all get one too.  Don’t worry Wonder Woman director Patty Jenkins dropped the mic on him with this commandingly brilliant tweet:

LESSON #2: MOVIEPASS MAY HAVE FINALLY FOUND AN ATTRACTIVE PRICE POINT— Mitch Lowe, the co-founder of Netflix, made tsunami waves recently with a ballsy new business model for the mildly-received MoviePass program.  Reducing the $15-50 per-month rate with plenty of fine print and red tape for a tidy $9.95 fee with new fine print and red tape looks like a steal.  However, will customers buy-in and, more importantly, will theaters play ball at taking a possible haircut?  The AMC Theatres chain (more on them later) immediately pushed back threatening legal action and downright banning MoviePass customers.  You have to love that $10 price point, but how useful is it if the theater companies in your area don’t take it?  Compromise is needed.

LESSON #3: ALONG THE SAME LINES, THE VIDEO ON-DEMAND MARKET IS STILL TRYING TO FIND THEIR PRICE POINT— Some of you might remember that six years ago Universal Studios initially planned to release their tentpole Tower Heist on premium VOD for $59.99 three weeks after its theatrical release with the goal of putting more money in their pockets instead of splitting it with movie theaters.  The notion was met with instant boycott and dismissal (much like the film itself) and the studio backed off.  Here in 2017, media giants Comcast (parent company of Universal), Amazon, and Apple are all developing a new VOD delivery system that will put top-shelf movies out for rental 30-45 days after their theatrical debuts at a $30 price level.  Even with $30 being substantial savings compared to hauling an average family of four to the cinema, that price point still doesn’t work if the digital download and Blu-ray/DVD release windows of $20 permanent ownership (not a temporary rental) keep dramatically shrinking like they have been for a few years.  What used to be an industry-standard of six months or more between silver screen and small screen has been cut in half.  May theatrical releases like King Arthur: Legend of the Sword and Guardians of the Galaxy Vol. 2 have arrived on August store shelves.  Why wait a month for a single high-priced rental when you can wait three and buy it for keeps for a lesser price?  I don’t see the viable premium VOD marketplace for average tight-budgeted blue collar consumers out there (and that’s not even taking into account the piracy market looming over anything VOD related).

LESSON #4: SURPRISE, SURPRISE!  DISNEY IS OUT TO MAKE ITS OWN MONEY WITHOUT PARTNERS— When you make billions hand over fist, you get to call the shots or, better yet, go out make your own game.  The Walt Disney Company will pull its lucrative movies off Netflix and launch its own branded streaming subscription platform in 2019.  They don’t need Netflix when they have the clout and fanbase to create their own exclusivity and keep all the money.  I can’t say I blame them and I stand by my prognostication from earlier in the summer for the day Disney/Marvel pulls out of San Diego’s Comic-Con and lets their own D23 be the one-way fan access point to that frenzy.

LESSON #5: NETFLIX IS NOT INVINCIBLE— From the outside looking in, casual observers (and this very column) have been exceedingly impressed by Netflix’s huge push in creating their own original television and film content.  They have thrown tremendous resources with the aim of attracting more customers and now have the $20 billion of debt to prove it.  Subscriptions are up an astounding 25% since last year, so the gamble is working, but how long can a company like that sustain those spending habits on top of Disney pulling out?  Expect an investment bubble to burst in some area (licensing fees with the studios) and, naturally, a raise in subscription rates passed onto us very soon to recoup that debt.

LESSON #6: HAS THE SLOW DEATH OF THE MULTIPLEX BEGUN?— Options like MoviePass, VOD, and Netflix have not come close to creating a new entertainment access monopoly large enough to overtake the big screen marketplace.  That said, even with price point challenges and debt issues, have the little dents and pin pricks started to add up to true damage?  I, for one, am beginning to at least wonder.   Blockbuster fatigue, thanks to poor performing duds like The Mummy, have taken their toll on consumer spending and confidence.  Multiple business outlets broke the news that AMC Theatres took a dramatic second quarter loss (and is staring at a third quarter one coming) that caused shares to fall 40% since the beginning of August.  The overall American box office is down a scant 4.4% from last year.  If that’s all it takes to financially wound one theatre chain, how are the other ones doing?  How are they sustaining 20+ screen multiplexes hawking bargain attempts and hokey incentives only to still sit empty on weeknights against growing operating costs?  I bet they’re not doing much better than AMC.  I have to think some form of internal, yet dramatic, contraction is coming.  Movies survived the invention of television.  They will survive digital and device shifts, but not without a shift or two of their own.

LESSON #7: I DON’T KNOW WHAT WARNER BROS. IS DOING WITH THE DC CHARACTER FILMS AND I DON’T THINK THEY KNOW EITHER— Spinning off of Wonder Woman‘s success as the #1 earner of the summer, Warner Bros. has the ambitious DC Extended Universe schedule of Justice LeagueAquaman, ShazamWonder Woman 2Cyborg, and Green Lantern Corps locked on the calendar through 2020.  It’s the slate after that has created a flurry of questions this week.  Matt Reeves made it known that his The Batman will be a standalone film outside of the DCEU and spread gasoline-dipped rumors of Ben Affleck being out at the Caped Crusader.  The WB brass then added the dreamy Martin Scorsese/Todd Phillips team-up announcement of a spin-off Joker solo origin story film without Jared Leto and on its own.  Confounding us even more a day later, the studio reveals they are concurrently planning a Joker/Harley Quinn film starring Leto and Margot Robbie that will be within the DCEU.  What is all this?!  Is Warner Bros. admitting defeat at building a Marvel-like universe and course-correcting to make focused films or are we watching greedy, hubris, and befuddlement? If so, why carry both? This DCEU timeline is going to start looking a clue board spider-webbed with red yarn from a police procedural or a Charlie Day meme.

LESSON #8: EWAN MCGREGOR OR NO ONE— I’ll bring the first fanboy torch and pitchfork to Disney’s announcement of an Obi-wan Kenobi solo anthology film coming in the near future.  Cast Ewan McGregor or no one at all.  After the flop of Alden Ehrenreich requiring an acting coach for Han Solo, cast some damn proven talent.  Call it stability as much as you call it justified fan service.

LESSON #9: LOOK TO ITALY AS THE OSCAR SEASON STARTS NOW— The prime third quarter film festival season kicks off with the prestigious Venice Film Festival beginning on August 30th and the top-shelf Toronto International Film Festival starting on September 7th.  The lineup in Venice includes first looks at Alexander Payne’s Downsizing, Darren Aronofsky’s Mother!, George Clooney’s Suburbicon, Guillermo del Toro’s The Shape of WaterJudi Dench’s crown in Victoria and Abdul, and the Redford/Fonda reunion Our Souls at Night.  I’ll share the killer TIFF lineup next week.  Get your coffee mugs ready to receive a pouring of Oscar buzz!


DON SHANAHAN is a Chicago-based film critic writing on his website Every Movie Has a Lesson.  He is also one of the founders and the current directors of the Chicago Independent Film Critics Circle.  As an elementary educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical.  As a contributor here on Feelin’ Film, he’s going to expand those lessons to current movie news and trends.  Find “Every Movie Has a Lesson” on Facebook, Twitter, Medium, and Creators Media.