Connecting With Classics 008: Lawrence of Arabia

For this month, we’ve chosen to close out the dog days of summer with a classic worthy of the sweltering heat August is known for. 1962’s Lawrence of Arabia is an AFI Top 10 entry which turned 56 years old this year. The longest days of summer brought out one of the longest films we’ll watch for our podcast.  If you have yet to watch this, set aside the time and then join us for some history and conversation about this epic. 

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for a poster of the Connecting With Classics movie of their choice plus podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted. 

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Connecting With Classics 007: Vertigo

We’ve had this Hitchcock classic circled ever since the film celebrated its 60th anniversary in May 2018. It may be only #9 on AFI’s latest Top 100 list, but checks in at #1 all-time on the Sight & Sound list. Joining us is a special guest, who last year completed the enormous challenge of watching Alfred Hitchcock’s entire filmography. He is Reed Lackey, from the podcast The Fear of God, and one of the biggest Hitchcock fans we know. 

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for a poster of the Connecting With Classics movie of their choice plus podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted.

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Connecting With Classics 006: Bringing Up Baby

For this month’s pick, we took the opportunity to discuss a film about a paleontologist during the same week that another dinosaur-centric series is getting its newest entry and celebrating its original film’s 25th anniversary. We’re going back a little further and a little sillier than that series, though, with the loosest movie interpretation of a paleontologist possible. 1938’s Bringing Up Baby, directed by Howard Hawks and starring Katharine Hepburn and Cary Grant, may not be scary but it is a classic screwball comedy with plenty to enjoy.

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for a poster of the Connecting With Classics movie of their choice plus podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted.

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Connecting With Classics 005: American Graffiti

The stars align here at the end of May. Ron Howard’s new film Solo: A Star Wars Story hits the big screen featuring a backstory of the iconic character made famous by Harrison Ford. The happenstance of Ron Howard treading into Harrison Ford’s territory led us to an American classic that turns 45 years old this year.  Hop in your car of choice, roll the windows down, turn your music up, and drive it slow as we talk American Graffiti.

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for a poster of the Connecting With Classics movie of their choice plus podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted.

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Connecting With Classics 004: Shane

For this departing month of April, we are pleased to present you a conversation about 1953’s Shane.  Newer or younger audiences may recognize this film as the allegorical pairing made in James Mangold’s Logan, but this classic western sits at #46 on the AFI Top 100 10th Anniversary list for good reason.

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for a poster of the Connecting With Classics movie of their choice plus podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted.

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Connecting With Classics 003: All About Eve

March is Women’s History Month, so for Episode 3 we did researched some of the best female performances of all-time and found the perfect film to discuss on AFI’s Top 100 10th Anniversary list.  We didn’t have to go far because slotted at #16 on their original list and #28 on their anniversary the list is Joseph L. Mankiewicz’s All About Eve.  Before this podcast, this was a “blind spot” for both of us.  That’s the beauty of this “Connecting With Classics” series. We all can find new greats to enjoy, even the hosts.

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted. 

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Connecting With Classics 002: Casablanca

Here in Episode 2 of “Connecting With Classics”, Aaron, Don, and guest host Josh from LSG Media’s Science Fiction Film Podcast celebrate Valentine’s Day by discussing a film that is considered one of the greatest love stories ever told. Casablanca checks in at #3, NUMBER THREE!, on the AFI Top 100 10th Anniversary list. This is definitely a beloved classic we have a great conversation about its quality as a film and all of the ways it has resonated with us emotionally.

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted.

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Music: Going Higher – Bensound.com

Support us on Patreon & get awesome rewards:

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Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

Connecting With Classics 001: All the President’s Men

Welcome, listeners new and old, to the first episode of our new series “Connecting With Classics.” In this initial episode, Aaron & Don discuss the #77 film on AFI’s Top 100 10th Anniversary list, and one which is closely connected to current new release The Post. If All the President’s Men isn’t the best journalism film ever made, it’s certainly in the conversation. Join the guys for some history, some lessons, and as always some emotional connection.

One of the goals for “Connecting With Classics” is listener participation. We will be hosting prize drawings for podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted. 

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Music: Going Higher – Bensound.com

Support us on Patreon & get awesome rewards:

or you can support us through Paypal as well. Select the link below and make your one-time or recurring contribution.

Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!

ANNOUNCING: Connecting With Classics

If you’re a longtime listener to the podcast, you may have heard us tease this out from time to time, but we are now very excited to announce that a new recurring feature will begin in January. “Connecting With Classics” will be a series of episodes hosted by Aaron White and Don Shanahan (Feelin’ Film contributor and film critic at Every Movie Has a Lesson). In this special series, Aaron & Don will have conversations about some of the most beloved and respected classic films in movie history, initially utilizing the American Film Institute (AFI) Top 100 list as a source. For the purposes of this series, we will consider films 30+ years old to be classic.

“Connecting With Classics” is intended to encourage listeners to watch older films and will hopefully generate conversation about them. We will be taking an approach that merges the core perspectives of both Feelin’ Film and Every Movie Has a Lesson by focusing on emotional takeaways and life lessons, as well as film history. As appropriate, we will choose films that relate to present releases or are relevant to the times. For example, our first episode will cover All the President’s Men (1976) and will correspond with the nationwide release of Steven Spielberg’s upcoming film The Post, which in many ways is a direct prequel to the former.

Another central goal of “Connecting With Classics” is to make a participatory experience. To accomplish this, we will be hosting prize drawings for podcast swag and more at the end of each calendar year. Entries into the drawing can be earned for every episode by watching the film and posting your own review or thoughts about the podcast episode in the comments section of the episode announcement post in our Feelin’ Film Facebook Discussion Group. For listeners who do not wish to be a part of the discussion group, emailing reviews to feelinfilm@gmail.com will also be accepted. More details on this will come when we release the first episode, but we’re hoping you’re as excited as we are and will take this journey with us.

See you in January!

 

 

What We Learned This Week: September 1-14

LESSON #1: MY FELLOW FILM CRITICS, CHECK YOUR PRIVILEGE— As a press credentialed and Rotten Tomatoes-approved film critic myself, I’m sorry in advance, but I need to partially call out a one of my own. The first is Alex Billington of First Showing for being too much about being F1RST.  His work is solid and his site is one of the more dependable websites for actual movie news and less click bait, but, simply put, he broke the rules he agreed upon when he put on the Venice Film Festival press badge.  He was upset when one of his reviews broke embargo rules.

Here’s the link to the “open letter” editorial that followed. For those of you playing at home, we critics are bound to something like reverse deadlines, namely firm times requested by the studios that are the earliest reactions and reviews are allowed to run.  I don’t like them anymore than Alex does, but they are the rules and the studios or festivals have the right to control thier message and product.  Abiding by embargoes are part of the deal of being so damn lucky enough to be in Venice, Telluride, Cannes, or Toronto seeing a huge movie for free before everyone else.  Access is the reward before your page clicks.  Be happy you have it in the first place.  We are spoiled every week by an embarassment of riches for shiny pieces of entertainment.  Besides, we critics get to cheat with social media before full reviews:

This is where I can agree with Alex.  However, that small shout-out should be enough to keep business and attention going.  Harmony and health take patience.  I don’t like it, but I respect the rules.  People that break them can ruin things for the rest of us lower down the ladder.

LESSON #2: THE ASSIGNED DESCRIPTORS OF “GARBAGE” OR “TRASH” IS NOT PROFESSIONAL FILM CRITICISM— I’ll take another shot at my own kind, but I’ll leave the name out this time.  Call this a general warning for anyone who sounds even close to this, even at at the Letterboxd level.  If, as a supposedly professional film critic, all of your learned expertise, curated reflection, and skillfull high-mindedness within the medium of film, lead you to the molehill peak of calling a film “trash” or “garbage,” then, I’m sorry, you’re not a professional film critic.  You are BS artist of hyperbole and click bait.  You haven’t learned tact.  You haven’t met a thesaurus.  You haven’t learned creativity in putting substance into opinions.  Using that poorly formed wording in what is supposed to be a professional piece is a careless and irresponsible trigger.  And when you don’t back it up, you’re just asking for folks to call into question the quality of your writing, if not the quality of your personal character as well.  Aim higher.  Write better.

LESSON #3: STREAMING SERVICES DESERVE BETTER— Just when I thought the Academy of Motion Picture Arts and Sciences put a positive public gavel down for the inclusion of films from streaming services in year-end awards for the whole industry to follow, we digress to a story like what came out of the prestigious Toronto International Film Festival this week.  Certain theater vendors would not welcome Netflix or Amazon-backed films to screen for competition during the festival.  This has been silly and elitist for too long.  Have the likes of Roma taught us nothing? Let the art compete.  Source shouldn’t matter.

LESSON #4: YOU NEED TO BE TAKING ADVANTAGE OF IMDB TV— In the recommendation slot of this week’s column, I, a new Amazon Fire Stick owner, have discovered the IMDb TV app.  Their selection of streamable films and shows, which includes award winners like La La Land and Silver Linings Playbook and classics like Dune, High Noon, and The Karate Kid, is outstanding for the free price of sitting through some occasional ads.  Seek it out on your devices and players at home.


 

DON SHANAHAN is a Chicago-based and Rotten Tomatoes-approved film critic writing on his website Every Movie Has a Lesson. His movie review work is also published on 25YL (25 Years Later) and also on Medium.com for the MovieTime Guru publication.  As an educator by day, Don writes his movie reviews with life lessons in mind, from the serious to the farcical. He is a proud director and one of the founders of the Chicago Independent Film Critics Circle and a member of the nationally-recognized Online Film Critics Society.  As a contributor here on Feelin’ Film now for over two years, he’s going to expand those lessons to current movie news and trends while chipping in with guest spots and co-hosting duties, including the previous “Connecting with Classics” podcasts.  Find “Every Movie Has a Lesson” on Facebook, Twitter, and Medium to follow his work.  (#115)